Told by | Dr. Amlan Dasgupta |
Obtained by | Rajeswary Ganguly Banerjee |
Date | 20th Februray. 2017 |
Place | Jadavpur University, Department of English |
About the speaker | Amlan Das Gupta is a Professor of English, Jadavpur University, He has built an archive of North Indian classical music at the School of Cultural Texts and Records at Jadavpur University. He has also offered a course on the history of North Indian Classical Music. Education – University of Oxford. |
Tags | Amalendu Dasgupta, Delhi, Radio, Akashvani, Bade Ghulam Ali Khan, Ludhiana, Ali Baksh Khan, Kale Khan, Sarengi, Pancham |
Language | English, Hindi |
Dr. Amlan Dasgupta Speaks :
Text version:
I heard this story from my father. My father worked for the Radio as a news, news editor in Delhi in early years of Akashvani, and even though this is a story from Delhi, it is worth thinking about because it involves a figure who was very close to the Calcutta music scene, that’s Bade Ghulam Ali Khan sahab. Now my father who was you know, who’s musical taste was entirely built when he was a student in Kolkata then he had gone to work in Delhi, He found a way of visiting Bade Ghulam Ali Khan Sahab when he was staying at somebody’s house, some rich person’s house at Delhi. I think this was that ill fated visit when he was fed on various kinds of vegetables and so he was very very depressed and then he organised, he did not eat at the house, he organised a kind of kitchen outside in the lawn and personally supervised it, and he got his ‘Ghee’ from Ludhiana or somewhere like that. That how this stories are. My father went to see him and there were lots of stories. He sat and waited for him, and he even looked at him, hours past, whatever, so at one point they got talking at least Ghulam Ali Khan he Sahab started talking. The story is of the variant stories about cow and Dog and Bird and the waves all these things. It was really beautiful stories that went like this and this amazing this amazing connection that Ghiulam Ali Khan Sahab’s music had with nature, there were various kind of expressing the basic relationship with nature I think that is in story for me. But this story is something different. This story is about, when he was very young and he was lying in the lap of his father Ali Baksh Khan Sahab and there was concert going on in his house, the house of Ali Baksh Khan Sahab in which Kale Khan Sahab was singing and there was somebody else I forget the name, the name is not clear. So both the ustad were singing and when dono ustad pancham pe khari, and stopped and the sarengiya was about to play the Pancham this child started crying in Pancham. Then dono ustads stopped singing and said ‘Yeh Baccha Kaun Hay’? ‘Yeh Aapka Ghulam Hai’ That’s why he was called Ghulam Ali Khan Sahab. That’s the story.
Verbatim by Rajeswary Ganguly Banerjee
Note: Although this anecdote describes about an event in Delhi, this is of immense significance. This is connected to Ustd. Bade Ghulam Ali Khan as a baby and the event that was responsible for his naming as Ghulam Ali is portrayed here. BGK was born in 1902. So, the incident may have happened when he was between 1 to 3 years old. Khansahib had a very intimate connection with the city of Calcutta. – Editor
Data processed at SAP-DRS Lab, Department of Instrumental Music, Rabindra Bharati University.