Category Archives: Music Criticism

Remembering Begum Parveen Sultana’s Unique Gestures

 

Told by Pt. Abhijit Banerjee
Obtained by Suranjita Paul
Date  13th March 2017
Place 5/15 Kalicharan Dutta Road. Behala Chowrasta. Kolkata- 700061
About the speaker Pandit Abhijit Banerjee is a renowned Tabla player of Kolkata. He is a prime disciple of Pandit Jnan Prakash Ghosh. He has also learned Vocal from Pandit Ajay Chakraborty
Tags Parveen Sultana, Bombay (Mumbai), Kolkata, Rajya Sangeet Academy, 80’s, Manash Mukherjee, Secretary, Netaji Indoor Stadium, Pratush Bandyapadhyay, Sarod, Organisation, Aritra, Kumar Bose, Tajendra Narayan Majumder, Ali Akbar Khan, Dilshad Khan, Buddhadev Dasgupta, Prasun Bandyapadhyay, Tabla, Accompaniment, Nikhil Banerjee, Anindo Chatterjee, Kolkata, Visakhapatnam, America, Europe, Newspaper, Criticism
Language Bengali

Abhijit Banerjee speaks:

Data processed at SAP-DRS Lab, Department of Instrumental Music, Rabindra Bharati University

 

Kolkata Music Critics and Adapted Criticism Styles

Told by Tirthankar Benerjee
Obtained by Professor Sanjoy Bandopadhyay
Date 14th  February 2017
Place 3/1/1D Padmapukur Road, Kolkata 700092
About the speaker Tirthankar Banerjee is a well-known sitar player of Kolkata. He is a disciple of Sitar maestro Pt. Dipak Chowdhury.
Tags Music Critic, Student, New Paper, Music Criticism, Practical Knowledge, Theoretical Knowledge, Buddhadev Dasgupta, 80’s, Statesman, Subrata Roy Chowdhury, Sitarist, Anindyo  Banerjee, Dipak Chowdhury, Nilaksha Gupta, Negative Popularity, Ravi Shankar, Sri Kalyan, Desh Journal, Musician, Sandhya Sen, Meena Banerjee, Ashish Chatterjee, Constructive Criticism, Vocal Music, Raagdari, Duet Programme, Sitar, Yaman
Language Bengali

Tirthankar Benerjee speaks:

Data processed at SAP-DRS Lab, Department of Instrumental Music, Rabindra Bharati University

 

Music Criticism in Kolkata News Papers

Told by Tirthankar Benerjee
Obtained by Professor Sanjoy Bandopadhyay
Date 14th  February 2017
Place 3/1/1D Padmapukur Road, Kolkata 700092
About the speaker Tirthankar Banerjee is a well-known sitar player of Kolkata. He is a disciple of Sitar maestro Pt. Dipak Chowdhury.
Tags Daily Newspaper Bartaman, Criticism, Rabindra Sangeet, Drama, Classical Music, Kolkata, Classical Programme, Publication, Ananda Bazar, Review, Doverlane Music, Space, Reporting, Vocal, Instrumental, Artist, Raagdari, Melody, Presentation, Layakari, Edited Text, Print, Interview, January 2017, December 2016, Programme Review
Language Bengali

Tirthankar Benerjee speaks:

Verbatim:

??? ???? ????? ?? ??? ??? ???, ????? ?? ??? ??? ????? ??????? ?? ?????? ???? ?????, ??? ????? ?????, ??? ?????? ???????? ???? ????? ???? ??? ????? ???? ???????? ????????? ?????????? ?????, ??????? ?????????? ????? ???? ???? ???????? ??, ??? ??? ?? ???? ????? ??? ??? ?????? ??????? ?????? ????? ??? ??? ??? ??? ??? ??? ????????? ????????? ???????? ?????????? ???? ???? ??? ????????? ??? ??? ???

????? ???? ???? ??? ??, ???? ???? ????? ???? ??????? ??? ????, ??? ????? ??? ??? ??? ??? ??????? ?? ?? ?? ????????? ??, ??? ???? ?????? ??? ????????????? ???? ???, ???? ???? ????? ?????? ???? ????? ???? ??? ????? ??? ??? ??? ???? ????? ??? ???? ??-???? ??? ???? ????? ?????? ?????? ??? ??? ?????? ?? ?????? ??? ??? ???? ????? ?? ??????????? (actually) ?????? ???????? ?????? ??? ?? ?? ????? ???? ???? ?? ?????? ??????????? (publication) ?? ???? ?? ???? ??????????? ???? ???????? ???? ???? ???? ??? ????  ???????, ????? ????????????? ????? ??, ??? ?????? ???? ??? ????? ???? ????? ???? ???? ???? ??????, ???? ??? ????, ????????? ???? ?? ???????? ???? ????? ?????? ?????, ???????? ?????? ??? ????? ???? ??????? ???? ???? ?????? ????? ???? ???????????? ?????? ??, ??? ?? ??? ??? ???? ????? ??????????, ???? ?????? ???? ?? ??? ????????? ???????? ????? ???? ?? ????? ???? ????? ??????? ???? ????? ???????? ????????? ???? ?? ?? ??????? ??? ???????? ????????? ????? ??? ????? ??? ????? ???? ???????? ??? ??????????? ????? ??? ??? ??? ??? ?????? ?????? ???? ???? ??, ?????? ???? ??? ???? ?????? ????, ??? ??? ???? ?? ????????????? ??? ???? ???? ?????????? ????? ???? ?????? ???? ????? ???? ???? ???? ??? ???? ???????? ???? ?????? ??, ?? ??????? ????? ????? ??? ??????? ?????? ????? ?? ??? ?? ?????????? ???? ???? ???? ??? ???? ????? ??, ???? ??????????

??? ???? ???????? ???? ?????? ?? ??? ??? ?? ????? ????? ????, ??? ??????? ??? ?? ????? ???? ???? ????? ??? ??????????? ???? ???? ????? ???? ????? ???? ??? ???? ???? ?????? ????? ?? ??? ?????? ??????????? ?? ???? ???? ?????? ??? ???-?????? ?? ??????? ??? ???? ?????, ??????? ?? ???? ???? ?? ???????? ???? ???????? ???? ?? ????????? ??? ???? ???? ???? ???? ?????, ???? ????? ???????????? ????? ???? ?? ?? ???? ???? ???? ????? ????? ???? ???? ????? ??? ?? ???? ??? ??? ?? ??? ???? ??, ????? ???????? ???????????? ??? ???? ??, ???? ??? ??? ??? ???? ??????? ?????? ????? ????? ??? ????? ???? ??????????? ???? ????? ????? ???? ??? ??? ??? ???????? ????? ??? ????? ????? ???? ?? ??? ???????? ???? ?? ????? ???????? ???????? ?????, ??? ????????, ???? ????? ????? ????????? ?? ??????? ???????????  ????? ????? ????? ????? ?????? ???? ???? ??? ?? ????? ????? ?????? ?????? ??????????? ???? ??? ???? ???? ???? ??? ?? ??? ????? ??? ????????? ???? ?? ???? ????? ??, ??? ???? ???? ????? ???? ??? ??, ?? ??????? ????? ?? ??? ???? ????? ????? ??? ?????????? ????? ???????? ????? ???? ??? ???? ???? ??????? ??? ?? ?? ????? ???? ????? ??????? ?? ????????? ?????? ??? ???? ????? ??? ??? ???? ????? ????? ?? ?????? ???? ??? ??? ???? ????? ??? ??? ???? ????? ???? ?? ??????? ???? ??? ???? ??? ???? ???????? ???? ?????? ?? ??? ??? ??? ?????? ??? ??? ?????? ???? ?????, ??? ???? ??? ??? ?????????????? ???? ?????? ???? ??????? ???? ???? ???????? ?????? ???? ??? ??? ??????? ???? ??? ????? ?????? ??? ??? ??????? ????? ??? ?????? ???? ????? ???????? ??????? ?????? ???? ?????? ??? ??? ??? ?? ??? ???? ?? ??????? ??? ???? ????????

?? ???? ?????????? ?????? ????, ????? ????? ?? ??? ???, ???? ????? ?? ?????? ??? ?????? ????? ?????: ??? ??? ????? ?????: ??? ????? ?? ??? ????? ?????? ??. ?? ??????? ??  ?????? ?? ????? ????? ?? ??? ?? ????? ????????, ??????? ??? ????? ????? ?? ??????? ????? ??? ?????????, ?? ??????? ????? ?? ????? ???? ???? ???? ??????? ??? ????? ?????? ???? ????? ??, ?????? ??? ???? ???? ????? ?????? ?? ?? ????? ??. ?? ??????? ?? ?????? ???? ??? ????? ????????????? ??? ???? ?????? ???? ???? ???? ???? ???? ?? ??? ????? ?????????? ????? ???? ????? ???? ????? ???? ??? ?????? ??????????? ?????? ???????? ?? ???? ??? ??? ?? ??? ?????? ????? ?????: ?????

?????? ????? ???? ?????, ???? ?????? ??, ???????? ????? ???? ????? ??? ?????, ????? ??? ???? ??????? ?????? ?? ?????? ???? ????, ?????? ??? ????? ??? ?? ?? ???????? ????? ??? ??? ?????? ???? ??? ???? ????????? ?????, ???? ???????? ???? ????????? ?????, ??????????? ????? ??? ??? ??? ??? ??????, ???? ??? ?????????, ?????? ????? ????????, ?????????????? ????????, ????, ????? ???? ??????? ???? ???? ?????, ?????? ??? ??????????? ????? ???? ???? ??? ??? ?? ??? ??? ????? ???? ?? ???? ??? ???? ???? ?????? ??, ??? ????? ?????? ???? ???? ??? ?????? ?? ??????? ?????: ????, ?????: ?????

Verbatim by Dr. Suranjita Paul

Translation:

It has been almost six years that I have been associated with Dainik Bartaman, the news paper, as a music critic. Initially, I used to critique all kinds of music, including Rabindra Sangeet, and even theater, which  although not my subject, I was forced to do. For the last three or four years, I have been doing exclusively classical music critique. I do not take on projects from other genre or streams.

For the last three or four years, my publication only assigns me the biggest musical programs in all of Kolkata, which is a good thing indeed. However, along the way, I have realized something and discussed with others in the field, and all of us had come to the same conclusion. We suspect that publications like ours are not very sincere about projects like these. From my end, I simply write and review what has been given to me and send it back.

On the other hand, if you take the perspective of those responsible for running an entire news paper, it’s quite a different beast altogether. If I may take names, another famed publication, Ananda Bazaar, has almost given up on classical music review. Except from extremely high-profile exclusive programs like Dover Lane, they refuse to focus on other musical events. Our publication is not like that. Our publication reviews all kinds. However, I’ve been noticing that they are not as sincere as they used to be. I have learned from experience that the space we’re given for our reviews is far from adequate. Ultimately, what we end up doing is reporting, not review.

I have realized from experience that when I like an artist’s music, there is nothing for me to write. The fact that I liked it is the final criteria, and the several technicalities of music like raag and laya or the infusion of other kinds of tune – the entire presentation is our benchmark. We decide if we liked the techncialities, and if the entire presentation of an artist is worth it or not. However, when we do not like someone’s music, that is the meat of our review. We can’t simply dismiss an entire performance, because that generates negative publicity and would affect said artist’s reputation and future oportunities. Unfortunately, we don’t have enough space to elaborate on why we didn’t like what we didn’t like. So, our usual policy in cases like these is to simply mention the artist’s name and what they performed. We do not go into further details. Because if I say something negative in my article, I would have to justify it with logic and I simply wouldn’t be given the space required for that. In my experience, when I have written detailed analysis, the newspaper had edited it and the final result had turned out to be something nonsensical as they are not qualified to understand classical music. However, those edited articles are still going to be printed other my name and thus it becomes my responsibility to defend it when people call me up asking me why I have written what I have written. This is a big problem.

Nowadays I have noticed, at least for the past one year, that the space for our classical music discussion is slowly getting smaller and smaller. Those spaces are being taken up by television serials or cinama or reviews like that. Say, some famous actor from Bollywood has come to visit Kolkata and the newspaper focuses on their interview – trash like this is slowly eating into our space. I can’t lie, but I’ve heard that producers of television serials and movies donate money to the publication house in return for publicity. As a result, a lot of space is allotted for them. Unfortunately for us, we don’t have the resources or influence to donate. Thus, our space is slowly getting smaller.

Dover Lane music event, the biggest event in Kolkata ever, had taken place towards the end of January. However, the reviews of it were published just last week. That is how long it took. There were other events even before that, in December for example, but the reviews have still remained unpublished. It was a small event and they had sent me to cover it, so it is their responsibility to publish it. And although it has been ages since I had submitted my piece, it still remains to be put in print. I understand that there are problems regarding space allotment that they have to constantly face. But this space is slowly and gradually disappearing.

Translated by: Ankana Das

 Edited & Designed: Dr. Suranjita Paul

Data processed at SAP-DRS Lab, Department of Instrumental Music, Rabindra Bharati University

Space Allocation Policy of Newspapers for Classical Music Events

Told by Smt. Meena Banerjee
Obtained by Rajeswary Ganguly Banerjee
Date 21st February, 2017
Place Smt. Meena Banerjee’s residence , Rani Kuthi, Kolkata
About the speaker Renowned Music Critic, Musicologist and Music Connoisseur
Tags The Telegraph, Artist, Event, The Statesman, Shruti Magazine, Telegraph, 2004, 2010, 1997, Hindustan Times
Language Engllish

Meena Banerjee Speaks :

Data processed at SAP-DRS Lab, Department of Instrumental Music, Rabindra Bharati University.

Criticism and Affect—Meena Banerjee Reflects

Told by Smt Meena Banerjee
Obtained by Rajeswary Ganguly Banerjee
Date 21st February, 2017
Place Smt Meena Banerjee’s residence , Rani Kuthi, Kolkata
About the speaker Renowned Music Critic, Musicologist and Music Connoisseur
Tags Music Criticism, Artist, Ashis Chatterjee, Music Critic, Baithak, 2000
Language Engllish

Smt Meena Banerjee Speaks :

Data processed at SAP-DRS Lab, Department of Instrumental Music, Rabindra Bharati University.

 

Money matters—Biased Review and an Honest Observation

Told by Smt Meena Banerjee
Obtained by Rajeswary Ganguly Banerjee
Date 21st February, 2017
Place Smt Meena Banerjee’s residence , Rani Kuthi, Kolkata
About the speaker Renowned Music Critic, Musicologist and Music Connoisseur
Tags Music Criticism, Artist, 2012, Aurobindo Institute Hall, Editor, Money, Forced Writing
Language Engllish, Bengali

Smt Meena Banerjee Speaks :

Data processed at SAP-DRS Lab, Department of Instrumental Music, Rabindra Bharati University.

 

Young Artists who made a mark—Recalled by Smt Meena Banerjee

 

Told by Smt. Meena Banerjee
Obtained by Rajeswary Ganguly Banerjee
Date 21st February, 2017
Place Smt. Meena Banerjee’s residence , Rani Kuthi, Kolkata
About the speaker Renowned Music Critic, Musicologist and Music Connoisseur
Tags Artist, 1997, SRA, Academic Research Department, Scholars, Guru, Kaushiki Chakraborty, Arshad Ali Khan, Omkar Dadarkar , Wednesday Recital
Language Engllish

Meena Banerjee Speaks :

Data processed at SAP-DRS Lab, Department of Instrumental Music, Rabindra Bharati University

Reflecting on Newspaper Policies for Music Criticism

Told by Smt Meena Banerjee
Obtained by Rajeswary Ganguly Banerjee
Date 21st February, 2017
Place Smt Meena Banerjee’s residence , Rani Kuthi, Kolkata
About the speaker Renowned Music Critic, Musicologist and Music Connoisseur
Tags The Telegraph, The Statesman,  Jansatta,  Performer, newspaper, policy
Language Engllish

Smt Meena Banerjee Speaks :

Data processed at SAP-DRS Lab, Department of Instrumental Music, Rabindra Bharati University.

Discussions on Promoting New Artists

Told by Ms Sarmistha Bhattacharyya
Obtained by Rajeswary Ganguly Banerjee
Date 13th January, 2016
Place S.A.P. Lab, Instrumental Department, Rabindra Bharati University, B.T. Road Campus.
About the speaker Music Critic
Tags 2008, Press Meet, Artist, Hariprasad Chaurasia, Zakir Hussain, Ajay Chakraborty, Kaushiki Chakraborty, Rajan Sajan Mishra, ITC Sonar Bangla
Language Bengali

Ms Sarmistha Bhattachryya Speaks :

 

Data processed at SAP-DRS Lab, Department of Instrumental Music, Rabindra Bharati University.

Changes In Music Criticism In Last Ten Years—A Brief Overview by Sarmistha Bhattacharyya

Told by Ms Sarmistha Bhattacharyya
Obtained by Rajeswary Ganguly Banerjee
Date 13th January, 2016
Place S.A.P. Lab, Instrumental Department, Rabindra Bharati University, B.T. Road Campus.
About the speaker Music Critic
Tags Artist, Music Review, 2003, 2013
Language Bengali

Ms Sarmistha Bhattacharyya Speaks :

 

Data processed at SAP-DRS Lab, Department of Instrumental Music, Rabindra Bharati University.