| Told by | Prattyush Banerjee |
| Obtained by | Sukanya Sarkar |
| Date | 01 March, 2015 |
| Place | 18 Sadananda Road, Kalighat, Kolkata, Prattyush Banerjee’s residence |
| On Prttyush Banerjee | Prattysh Banerjee is an accomplished sarod player. He is one of the foremost disciples of Padmabhushan Pt. Buddhadev Dasgupta. |
| Key-words | Kishori Mohan Naskar, sarod, Dulal kanji, naba Kumar Kanji, drawing, measurement, used materials, design, higher notes |
| Language | Bengali |
Prattyush Banerjee speaks:
| Told by | Prattyush Banerjee |
| Obtained by | Sukanya Sarkar |
| Date | 01 March, 2015 |
| Place | 18 Sadananda Road, Kalighat, Kolkata, Prattyush Banerjee’s residence |
| On Prttyush Banerjee | Prattysh Banerjee is an accomplished sarod player. He is one of the foremost disciples of Padmabhushan Pt. Buddhadev Dasgupta. |
| Key-words | Green room, Vilayet Khan, Shankar Ghosh, presence, gesture, ambience, tahzib, Nikhil banerjee, riyaz, towel, 1976 |
| Language | Bengali |
Prattyush Banerjee speaks:
| Told by | Prattyush Banerjee |
| Obtained by | Sukanya Sarkar |
| Date | 01 March, 2015 |
| Place | 18 Sadananda Road, Kalighat, Kolkata, Prattyush Banerjee’s residence |
| On Prttyush Banerjee | Prattysh Banerjee is an accomplished sarod player. He is one of the foremost disciples of Padmabhushan Pt. Buddhadev Dasgupta. |
| Key-words | Reyaj, riyaz, seminar, Zakir Hussain, Mombatti, preparation, mental set-up, chintan, manan, spiritual, Amjad Ali Khan, Guru, Dilshad Khan, parveen Sultana, palta, sargam, morning, evening, bandish, tan, time management, Buddhadev Dasgupta, sarod, Bade Ghulam Ali Khan, Vilayet Khan, gayaki |
| Language | Bengali |
Prattyush Banerjee speaks:
Data processed at SAP-DRS Lab, Department of Instrumental Music, Rabindra Bharati University.
| Told by | Prattyush Banerjee |
| Obtained by | Sukanya Sarkar |
| Date | 01 March, 2015 |
| Place | 18 Sadananda Road, Kalighat, Kolkata, Prattyush Banerjee’s residence |
| On Prttyush Banerjee | Prattysh Banerjee is an accomplished sarod player. He is one of the foremost disciples of Padmabhushan Pt. Buddhadev Dasgupta. |
| Key-words | 1980, 1982, 1990, music circle, Sangeetam, Surchhandam, Bhowanipur Sangeet Sammilani, Aritra Music Circle |
| Language | Bengali |
Prattyush Banerjee speaks:
Verbatim:
????? ???????? ?? ???? ???, ??? ??? ??? ???, ?? ?????? ?? ?????????? ??, ?? ????, ??, ??, ?? ?? ?? ?????, ?? ??? ?????? ?????? ????
‘?????? ?????? ???????’ ???, ??? ??? ??????? ??? ???? ?????? ??????? ??? ????????? ???, ???? ???, ‘??????? ?????? ???????’ ???, ?????? ??? ‘???????? ?????? ???????’, ????? ???????? ?????? ????????, ???? ???????? ??? ??????, ???? ?? ??, ?? ?? ???????? ?? ?? ??? ????????, ?? ?????? ?? ??? ???? ?????? ???, ????? ???????? ???? ?????? ??? ?? ????? ?????? ???? ?????? ?????? ??????? ???? ??????? ?????, ??? ????? ?????? ???? ????, ??? ???? ???? ??????? ???, ?????? ???? ????? ?? ????????, ???? ??? ?????? ?????? ???????? ?????? ??? ???? ???? ?????? ????? ???? ?? ????? ?????? ??? ????? ???? ?????? ?????? ???????, ?? ????, ??????? ??????? ???? ?????? ?????? ??? ?? ???? ?? ????? ???????? ???? ??????? ??? ?? ??????? ??? ???? ??? ?????
Verbatim: Rajeswary Ganguly Banerjee
Translation:
Speaking of informal, family-oriented events, I must say that in my childhood, around 1980, 82, 85 or 90, just like the way we had “Aritra Music Circle, similarly, there were several other such music circles active all over Kolkata. One prominent music circle was the “Sangitam Music Circle”, and another was named as the “Surchandam Music Circle”. What used to happen was that, apart from well-known musicians, the aspiring artists would also perform in musical circles like these in order to create an identity for themselves. The least I can say that, although I have no credit in it, the artists who performed in my father’s music circle are some of the most famous ones in the industry today. Some of their earliest performances took place in our home and in other music circles such as these that I mentioned. Now, music-friendly spaces like these have reduced in number.
Seventies and early Eighties. That trend of music-friendly spaces no longer exists in our city. As a result, we have plenty of artists, but nowhere for them to perform.
Translation by: Ankana Das
Picture Courtesy: Google
Edited & Designed: Ms. Rajeswary Ganguly Banerjee
Data processed at SAP-DRS Lab, Department of Instrumental Music, Rabindra Bharati University
| Told by | Prattyush Banerjee |
| Obtained by | Sukanya Sarkar |
| Date | 01 March, 2015 |
| Place | 18 Sadananda Road, Kalighat, Kolkata, Prattyush Banerjee’s residence |
| On Prttyush Banerjee | Prattysh Banerjee is an accomplished sarod player. He is one of the foremost disciples of Padmabhushan Pt. Buddhadev Dasgupta. |
| Key-words | Buddhadev Dasgupta, late 1970’s, early 1980’s, talim, listening, Aritra Music Circle, Muneshwar dayal, harmonium, Shahid Parvez, sitar, 1982, Bishop Leffroy Road, central Kolkata, 1984 |
| Language | Bengali |
Prattyush Banerjee speaks:
| Told by | Pt. Sanjoy Bandopadhyay |
| Obtained by | Suranjita Paul |
| Date | 01 July, 2016 |
| Place | Sangeet Bhavan, Emerald Bower Campus, Rabindra Bharati University |
| About the speaker | Pt. Sanjoy Bandopadhyay is a highly renowned sitar player and academician. |
| Tags | Teaching, Bimalendu Mukherjee, Inayet Khan, Radhika Mohan Maitra , sthayee, manjha, antara, tan, alap, jod, jhala, riyaz, gamak jod, composing, informative, cultivation, M.R. Gautam, 1981, Khairagarh University, Thakur Jaidev Singh |
| Language | Bengali |
Note: During this period Pt. Radhika Mohan Maitra used to live at Jadavpur, in the southern part of Kolkata.
Sanjoy Bandopadhyay speaks :
| Told by | Pt. Sanjoy Bandopadhyay |
| Obtained by | Suranjita Paul |
| Date | 01 July, 2016 |
| Place | Sangeet Bhavan, Emerald Bower Campus, Rabindra Bharati University |
| About the speaker | Pt. Sanjoy Bandopadhyay is a highly renowned sitar player and academician. |
| Tags | sitar, punctuality, early 1960, 1970’s, 1962, 1981, |
| Language | Bengali |
Note: During 1960-1981 Pandit Radhika Mohan Maitra used to live at 1/7 Kalibari lane, Jadavpur, Kolkata 700032.
Sanjoy Bandopadhyay speaks :
| Told by | Pt. Sanjoy Bandopadhyay |
| Obtained by | Suranjita Paul |
| Date | 01 July, 2016 |
| Place | Sangeet Bhavan, Emerald Bower Campus, Rabindra Bharati University |
| About the speaker | Pt. Sanjoy Bandopadhyay is a highly renowned sitar player and academician. |
| Tags | Ravi Shankar, Tarapada Chakarborty, guru, father, Peejush Prasanna Bandopadhyay, Hiren Roy, sitar, 1960, Chitta Prasanna Banerjee, Bhismadev, Vishmadev Chatterjee, Radhika Mohan Maitra |
| Language | Bengali |
Sanjoy Bandopadhyay speaks :
| Told by | Anindya Banerjee |
| Obtained by | Sukanya Sarkar |
| Date | 19 March, 2015 |
| Place | Residence of Anindya Banerjee, 50/1A Purna ddas Road, Kolkata |
| About Anindya Banerjee | Disciple of ustd. Ali Akbar Khan, Ustd. Dhyanesh Khan and other gurus. He plays sarod and surshringar. He is a well known writer of Indian Music with several publications to his credit. |
| Tags | 1980, Ali Akbar Khan, Bangladesh, 1977, Vilayet Khan, Aslam Khan, Shudh Maru, Nikhil Banerjee and Ashis Khan, Allauddin Music Circle, Mysore Hall, Hiren Roy, Vilayet Khan. |
| Language | English |
Anindya Banerjee speaks :
| Told by | Dr. Manasi Majumder |
| Obtained by | Sukanya Sarkar |
| Date | 22 March 2015 |
| Place | Bengal Music College, CIT Scheme, Kolkata-700029 |
| On Manasi Majumdar | Dr. Manasi Majumdar is a disciple of the Vidushi Girija Devi and is a dedicated vocalist. She is currently serving as an Associate Professor at the Bengal Music College, Kolkata. |
| Tags | 1989-90, Sujata Sadan, Ashim Bandhu Bhattacherjee, Ranadhir Roy, Marwa, Mian Mallar, esraj, Rabindrasangeet |
| Language | Bengali |
Dr. Manasi Majumdar speaks:
Meta data generated by Pintu Saha.