Category Archives: Music Allied

Different Sarod in different Gharanas: A brief discussion with Ratan Kumar Sen

Told by Ratan  Kumar Sen
Obtained by Sukanya Sarkar
Date 9th March 2015
Place 140 B Rasbehari Avenue, Workshop of Tapan Kumar Sen
About the speaker Ratan Kumar Sen is an instrument manufacturer and exporter. He is the younger son of legendary instrument maker Hemendra Chandra Sen.
Tags Hemendra Kumar Sen, Radhika Mohan Moitra, Strings, Drum, Plate, Joydeep Ghosh, Narendra Nath Dhar, Buddhadeb Dasgupta, Gharana, Hafiz Ali Khan, Tonal Quality, Maihar Gharana, Teak Wood, Tun
Language Bengali

Ratan Kumar Sen speaks:

Metadata generated by Suranjita Paul

Verbatim:

?????????? ??????? ???? ????? ?????? ??, ???? ? ????? ???? ???? ??, ??????? ???, ???? ??????? ????? ?????? ????? ????? ???? ??? ???? ??????? ??? ?????, ??? ???? ????? ??????? ??? ???????????? ???? ??? ????? ??????????? ??? ??????, ?? ???? ??????? ?? ?? ???, ?? ???? ???? ??????? ?? ?????? ???? ?? ????? ?????? ??????????? ????? ???? ?????? ??????? ????? ?????????? ??????? ?? ???? ?????? ???? ?????, ???? ??? ??? ????

????? ????? ?? ????? ?????, ???? ??? ??????, ??????, ????? ???? ???????

?? ?????? ??????? ????????? ?? ???

??????? ????????? ??, ?? ?????? ????? ?? ?? ???? ?????? ??????

???? ??? ???? ???? ?????

??, ????? ????? ???? ??? ???, ????? ????? ???? ?? ???????? ??????? ??? ????

?????????? ??????? ??? ??????? ?????? ?????? ?????

?????, ???????? ????????, ???? ??, ????? ??? ?????? ??????? ???? ??????, ????? ???? ???? ????? ??????????? ???????????? ??????

?????? ?????? ?? ?? ???? ???? ?????? ???????? ????? ?????? ??????

Pt. Radhika Mohan Maitra

?????????? ??????? ?????? ?? ?????? ????? ??? ??? ??????? ?????? ?????? ???????? ???? ??? ?????? ????, ????? ??? ??? ???????? ?????? ?? ?? ??? ?????? ??, ?? ?????? ???? ???, ?????? ????? ???? ??????? ?? ???? ????? ????? ????, ?? ???????? ?????, ????? ????? ?????? ???????? ????? ?? ????? ???????? ?? ??? ????? ???? ????? ??? ??????, ?? ?????? ?????? ?? ????? ???? ??? ????? ??, ??? ???????? ?????, ??????? ??? ???? ???

???? ???? ?????? ?? ???? ?????

?????, ???? ?????? ?? ???? ?????

Verbatim by: Rajeswary Ganguly Banerjee

Translation:

Radhika Mohan Maitra’s Sarod was made of Teak Wood, which would have six ears with eleven Taraf and two Chikari. The Sarod would have a total of nineteen strings. Radhika Mohan used to customize his instruments in a way, where he asked to change it a bit. He used to add a string to the Pancham of  Khad( Kharaj)  and take one off the Jowari, so that there were five main strings in total. There were thus one Jowari Sa string, two Chikari, and thirteen Tarafs. This was their speciality. At the head of the instrument, he would also place a Tumba.

– Do you remember the year when you made the Sarod for Radhika Mohan Maitra?

– In the very beginning, it was father who used to do all the making, and I have no idea about that. I have only heard from my father about it.

– What was the diameter of the drum of these Sarods?

– The diameter was of eleven inches, along with the nineteen inch plate. Initially the size of the drum was smaller, but later they converted it into the eleven inch drums.

– Did you make Sarod for any student of Radhika Mohan Mitra?

– Yes. Buddhadeb Dasgupta, Naren Dhar, Joydeep Ghosh are some of the names I remember now. Father used to work on the instruments and we used to help him. After my father’s demise, I have also worked for these people.

– Is there any difference in the making of the Sarod of these people and the other Sarod players?

Ustad Hafiz Ali Khan

– Radhika Mohan Maitra’s Sarod and Ustad Hafiz Ali Khan belonged to almost the same type of made. Only difference was that there were eleven Tarafs in Ustad Hafiz Ali Khan’s Sarod , while there were six ears and two chikari in Radhika Mohan Maitra’s Sarod. Otherwise, all Sarod were made of Teak wood. The speciality about Teak wood is that the tonal quality of Sarod made from this wood has a sharp and sweet tune. The Sarod from the Maihar Gharana are made of Tun Wood, and these Sarod would bring out a sweet tune and  bold tune, and also the treble was more in this type of  Sarod.

Translated by: Ankana Das

Picture Courtesy: Google

https://www.google.com/search?q=radhika+mohan+maitra&client=firefox-b-ab&tbm=isch&tbs=rimg:CcZWhv9EyPwqIjjryJz6odBelmyfJ4pDp9BbdW5zudpMTAs0sVQFNIo21z264UC-VNrZ5omcsV39GsutCRxk1btRqyoSCevInPqh0F6WEZGZFnMRyyEnKhIJbJ8nikOn0FsROj6ZHmnvmtwqEgl1bnO52kxMCxEiNXfDTkUiGCoSCTSxVAU0ijbXEfjKk-uN_1Kz5KhIJPbrhQL5U2tkRD1TNNSCcF_18qEgnmiZyxXf0ayxGRmRZzEcshJyoSCa0JHGTVu1GrEZGZFnMRyyEn&tbo=u&sa=X&ved=2ahUKEwiQvdjB_6fbAhVVWysKHeL1DLoQ9C96BAgBEBg&biw=1366&bih=631&dpr=1#imgrc=YOPjzAnG-39wlM:

https://www.google.com/search?client=firefox-b-ab&biw=1366&bih=631&tbm=isch&sa=1&ei=yL4LW-WXI4WurQH1naeYCQ&q=hafiz+ali+khan&oq=hafiz+ali+khan+&gs_l=img.1.0.0i30k1j0i5i30k1j0i24k1l2.3604.41681.0.43534.15.15.0.0.0.0.169.2232.0j15.15.0….0…1c.1.64.img..0.15.2223…0j0i67k1j0i10k1.0.TNMn7ur4WHY#imgrc=pXsR5hhylu07AM:

Edited & Designed: Ms. Rajeswary Ganguly Banerjee

 

 

 

 

 Data processed at SAP-DRS Lab, Department of Instrumental Music, Rabindra Bharati University.

The starting years of Instrument Making—Tapan Kumar Sen

Told by Tapan Kumar Sen
Obtained by Sukanya Sarkar
Date 9th March 2015
Place 140 B Rasbehari Avenue, Workshop of Tapan Kumar Sen
About the speaker Tapan Kumar Sen is an instrument manufacturer and exporter. He is the elder son of legendary instrument maker Hemendra Chandra Sen
Tags Hemendra Chandra Sen, Sarod, Instrument maker
Language Bengali

 Tapan Kumar Sen speaks:

 

 

Metadata generated by Suranjita Paul

Data processed at SAP-DRS Lab, Department of Instrumental Music, Rabindra Bharati University.

Working with Sarod makers on my ideas—A Travel Friendly Sarod

Told by Dr. Rajeeb Chakraborty
Obtained by Sukanya Sarkar
Date 11 July, 2014
Place Kolkata residence of Dr. Rajib Chakraborty, Swinhoe Street, Kolkata 700019
About  Dr. Rajeeb Chakraborty Dr. Rajeeb Chakraborty is a renowned Sarod player, a music composer, and also involved in a large number of experimental projects internationally. He received several awards for his experimental work in music.
Tags  Sarod maker, Hemen Chandra Sen, Dulal Kanji, Dulal Chandra Kanji, Naba Kanji, Russian Instrument, travel friendly, sarode
Language Bengali

Dr. Rajeeb Chakraborty speaks :

 

 

Metadata is generated by Suranjita Paul

Data processed at SAP-DRS Lab, Department of Instrumental Music, Rabindra Bharati University.

Dealing with Musicians—A small incident told by Dhirendra Nath Das

Told by Dhirendra Nath Das
Obtained by Suranjita Paul & Mousumi Das Maiti
Date 9th  November 2016
Place 532, Rabindra Sarani. Kolkata- 700003
About the speaker Dhirendra Nath Das is the son of Krishna Chandra Das who was a well known confectioner, entrepreneur, businessman and Bengali cultural icon of the early 20th century. Dhirendra Nath Das is an Indian classical Music connoisseur and patroniser. He was also a committee member of Tansen Sangeet Sammelan and Sadaranga Sangeet Sammelan.
Tags Rabindra Sadan, 1960’, Sitara Devi, Bade Ghulam Ali, Tansen Sangeet Sammelan
Language Bengali

Dhirendra Nath Das speaks:

 

Data processed at SAP-DRS Lab, Department of Instrumental Music, Rabindra Bharati University.

Edward Kennedy reaching Kala Mandir to listen to Pt. Ravi Shankar during flight transit

Told by Dhirendra Nath Das
Obtained by Suranjita Paul & Mousumi Das Maiti
Date 9th  November 2016
Place 532, Rabindra Sarani. Kolkata- 700003
About the speaker Dhirendra Nath Das is the son of Krishna Chandra Das who was a well known confectioner, entrepreneur, businessman and Bengali cultural icon of the early 20th century. Dhirendra Nath Das is an Indian classical Music connoisseur and patroniser. He was also a committee member of Tansen Sangeet Sammelan and Sadaranga Sangeet Sammelan.
Tags 1970’s, Kalamandir, Ravi Shankar, Edward Kennedy
Language Bengali

Dhirendra Nath Das speaks:

 

Verbatim:

                Edward Kennedy

?????? ???? ???? ???? ???, ???? ???? ??????? ???? ???????????? ??? ????? ????-?? ????? ???? ??? ?????? ???????, ??????????? ?????? ?????, ??? ??? ???????? ?????? …??? ??????? ???? ???? ?????? ????? ?????????? ???? ????? ????? ?? ??? ??????? ????? ???? ?? ?????? ???????? ???? ???, ????? ?? ??? ?? ??????????? ??? ????? ??? ?????? ???????? ??? ???? ???, ???? ???? ?????, ??? ???? ??? ??? ?????? ??? ???? ????????? ???? ??????? ???? ???? ????? ???? ??? ???? ?????? ?? ??? ??????? ????? ????? ??????? ???? ???? ??? ??? ???????? ???? ???? ?????? ?? ?? ????

Verbatim: Dr. Suranjita Paul                                    

 Translation:

          Pt. Ravi Shankar

This incident, it happened in the ‘70’s, I think – Ravi Shankar was performing at Kala Mandir. Edward Kennedy, the brother of the President of the United States, had landed at the Kolkata airport for a brief period of time. When he heard that Ravi Shankar was playing at Kala Mandir, he came to the auditorium instead of spending his time waiting in the airport lounge. He sat quite close to us. Ananda, my brother-in-law, was sitting next to me, and Mr. Kennedy was sitting next to him. I still have his autograph. Ananda has asked him for it. Ravi Shankar’s performance was brilliant. At the end of the show, we went and met him.

Translated by: Sarbajaya Bhattacharya

Picture Courtesy: Google

https://ipfs.io/ipfs/QmXoypizjW3WknFiJnKLwHCnL72vedxjQkDDP1mXWo6uco/wiki/Ravi_Shankar.html

http://www.asiantribune.com/node/89961

Edited & Designed: Dr. Suranjita Paul

Mr. Edward M.  “Ted” Kennedy (February 22, 1932 – August 25, 2009) visited Eastern India in 1971. – Editor

“In Bangladesh, Ted Kennedy Revered – CNN.com.” Accessed November 17, 2016. http://edition.cnn.com/2009/POLITICS/08/27/bangladesh.kennedy.impact/.

Data processed at SAP-DRS Lab, Department of Instrumental Music, Rabindra Bharati University.

 

Pandit A. Kanan, An Affectionate Guru and a good human being

Told by Sri Debaprosad Dey
Obtained by Rajeswary Ganguly Banerjee
Date 28th October,2016
Place S.A.P. Lab, Department of Instrumental Music, Rabindra Bharati University, B.T. Road Campus.
About the speaker Renowned Harmonium Player who accompanied many music stalwarts in various Classical Music Conferences.
Tags A.T. Kanan, Sealdah, Malabika Kanan, Bhawanipore, Organizer, Hazra, Chetla, 1985
Language Bengali

Sri Debaprosad Dey speaks:

 

Data processed at SAP-DRS Lab, Department of Instrumental Music, Rabindra Bharati University.

Senior Musicians matter to build a music career—Mita Nag speaks

Told by Ms Mita Nag
Obtained by Rajeswary Ganguly Banerjee
Date 24th October, 2016
Place S.A.P. Lab, Department of Instrumental Music, Rabindra Bharati University, B.T. Road Campus.
About the speaker Renowned Sitar Player and Torchbearer of Bishnupur  Gharana.
Tags Manilal Nag, 1954, All India Music Conference, All India Radio, Tabla, Vocalist, Varanasi,Benaras,  Musician, Kishan Maharaj, Shanta Prasad, Birju Maharaj, Amir Khan, Maihar, Ravi Shankar, Uttarpara, Uday Shankar, Nikhil Banerjee, Sitar, Vilayat Khan, Dagar Brothers, Jor, Alap,  Binkar, Dhrupad, Concerts, Organizers, Tansen, Surdas, Veenkar, Sadarang, All Bengal Music Conference, Satin Sen,  Park Circus, Manmatho Ghosh, Pathuriaghata, Music Conference, Audience, Classical Music Concert, Patroniser,  Jhala
Language Engish

Ms Mita Nag Speaks

 

Data processed at SAP-DRS Lab, Department of Instrumental Music, Rabindra Bharati University.

MUSICAL SOIREE, MONMOTHO NATH GANGULI ANNIVERSARY—Amrita Bazar Patrika, 18 February 1940

tributemanmathag

Amrita Bazar Patrika | 18 February, 1940 | Page 14

MUSICAL SOIREE

MONMOTHO NATH GANGULI ANNIVERSARY

The seventh anniversary of the late Mr Manmothonath Ganguli, Attorney-at –Law,Late Deputy Register, High Court, original side, and Honorary Municipal Magistrate Cosipur Branch, Corporation of Calcutta, the famous amateur ostad  of “Tabla” was held at the  house of late Tarak Chandra Bose at no 10 Raja Nabakissan Street, Sovabazar, Calcutta, on Saturday last the 10th February 1940, under the presidency of Mr Nirmal Chandra Chatterjee, M.A., B.L, P.R.S, Barrister-at –Law, Secretary, All India Hindu Mahasabha. Distinguished amongst those  present were Mr.  N. Ghatak, M.B.E, Barrister-at-Law, Official Referee and Master, High Court, Calcutta, Mr. K.L. Mitra Attorney-at –Law, Deputy Register, High Court, Calcutta, Deputy Register  High Court, Mr.  Sachindra Nath Banerjee, Assistant Master and Referee,High Court, Mr. M.B. Dasgupt, Attorney-at –Law, Assistant Register,High Court, Mr. M.N. Sen Solicitor, Mr. Probhat Ghose, Solicitor, Mr. Sarat Kumar Mitra, Advocate, Mr. P.K. Banerjee, Advocate, Mr. Sudhir Chandra Roy Chowdhuri, Attorney-at –Law, Councillor, Calcutta Corporation, Mr. Mrigendra Kumar Mazumder, Coucillor, Calcutta Corporation, Dr. Bhupendra Nath Basu Councillor, Calcutta Corporation, Mr. Bhupendra Krishna Ghose, Mr Upendra Nath Ganguli, Mr. B.N. Basu, Mr. J.P. Ghose, Mr Haripada Chatterjee and others.

Speeches eulogizing the many sided qualities of the head and heart of Manmotho Babu specially his unostentatious life, and literally silent charities were made by Messrs Asutosh Chaudhuri, Anil Kumar Roy, Jagadindra Nath Bhattacharya , Upendra Nath Ganguli, Editor, ”Bichitra” and Mr.  K.L. Mitra, Deputy Registrar, High Court. The President in a brilliant speech feelingly referred to the personal knowledge that he had of the deceased at the High Court. He  charecterized Monmotho Babu as a true Brahmin, who combined in him all the qualities of a real Brahmin. The speaker further opined that in Monmotho Babu one could see a living example of what music can make of a man – to what height of ennoblement a man can be raised by being a true votary of music. In the opinion of the speaker, the rare qualities Monmotho Babu were really the result of his lifelong devotion to music and Bengal will remember him long not only as a true “Sadhak” of music but as the father of the revival of classical music in all its branches and truly will his memory live longer through his worthy son Hirendra Kumar Ganguli,  Attorney-at –Law,  who is an All-India figure in the domain of music and of whom Bengal is really proud.

Thereupon followed the musical soiree which formed the principal feature and chief source of attraction to the music loving Calcutta public. Amongst those who took part in the demonstrations were Mr. Rabindra Nath Roy (Vandemataram song), Mr. Gopal Banerjee(Dhrupad), Prof. Satcowriedas Malakar (Kheyal), Mr. Sudhindra Nath Mazumder (Kheyal), Mr. Jamini Kumar Ganguly (Kheyal), Mr. Krisna Chandra Dey (Kheyal), Pandit Ram Kissen Missra (Kheyal), Mr. Tarapada Chakraborty (Kheyal), Master Ranen Das (Kheyal & Thumri) Mr. Shyam Kumar Ganguly (Sawrode), Mr Radhika Mohan Moitra (Sawrode), Mr Paresh Bhattacharyay(Tabla), and Surendra Nath Dass.

The disciples of Late Mr. Ganguly had reasons to congratulate themselves on the grand success of the function which terminated Late in the morning of the 11 th instant at 6 A.M.

 

Source:

“Amrita Bazar Patrika [Daily]. Vol: 72; Issue:48 (18 February 1940).” Accessed October 21, 2016. http://eap.bl.uk/database/large_image.a4d?digrec=4262614;catid=226617;r=491.

 

 

Identified by Rajeswary Ganguly Banerjee, Research Fellow

Data processed at SAP-DRS Lab, Department of Instrumental Music, Rabindra Bharati University.

Forgotten stories of the golden Gramophone days—from a musician’s diary

Told by Bishoke Kumar Sil
Obtained by Suranjita Paul
Date 29th September 2016
Place 84A, Ahiritola. Kolkata- 700005
About the speaker Bishoke Kumar Sil is an eminent Sitar and Rudraveena player of Seni gharana
Tags Sailasekhar Mitra, Bagbazar, Gauharjaan, 1902-03, Theatre, Sashimukhi, Indumukhi, Voice record
Language Bengali

Bishoke Kumar Sil speaks:

Verbatim:

?????????, ??????? ?????…??? ????? ?????? ????????? ???? ???? ?????? ??? ????? ??????, ?????? ???? ?????? ??? ???? ??? ????? ??? ????? ????? ?????? ????? ??? ?????? ??? ???? ?????? ????, ?? ?????? ??, ???? ?????? ????? ????, ???? ???? ????? ???? ??????? ?? ???

                   Gauhar Jaan

??? ???? -?? ????? ??? ??????? ???? ??????? ?? ?????? ???? ?????? ???? ???? ???? ????? ????? ??? ???? ??? ???????? ??? ????? ?? ?????? ??? ???? ??? ???????? ???????, ????????? ……??????? ??? ????? ?????? ??? ???? ?????? ????? ??? ???? ??? ???????????????? ?? ????????? ?? ?? ???? ??????? ?????? ??? ??????, ??????? ?? ??? ??-??? ??? ??? ????  ??? ???? ??????? ????? ? ??? ?? ??? ????? ??????????, ??????? ??? ????? ??????? ???? ??? ???, ???? ??? ???? ??? ?????? ??? ???? ??? ????? ???? ??????? ????? ??? ??? ????????, ?????? ???? ?????? ????? ???? ??????????, ????? ???? ??? ???????? ???? ????? ???? ??? ??????? ??? ???? ??????? ??? ???? ??? ?????? ????? ???

Verbatim by: Dr. Suranjita Paul

 Translation:

SailashekharMitra is a mine of old stories, he is a record collector lives in Bagbazar. He told me that in early days of gramophone records one had to put his face almost inside a huge cone like microphone to record a song. Presently in an upcoming film about Gauhar Jan which we have seen in a press show, announces that Gauhar Jan was the first recorded voice of India. But it is not true. In 1902 or 03 when foreigners came with recording equipment they could not find any female to sing through their instruments. Someone suggested them to go to theatre where women artists used to sing. So they went there and recorded the voice of Shashimukhi first. Then on Friday they recorded the voice of Indumukhi.

Gramaphone record of Gauhar Jaan

After then on Monday it was the voice of Gauhar Jan that they recorded. So, she was not the first woman, she became the third woman as far as I know. I asked him, how could you remember whether it was Friday or Saturday? He answered thatit is all printed in the outer cover of the disk, time, date everything. After they recorded Gauhar Jan they returned back to London and then to Germany where the discspublished. Later in 1911 they again returned and recorded a few more. They were quite famous then and it posed no problem to find voices. This is the first recording stories of gramophone.

Translation by: Arundhati Banerjee

 Picture Courtesy: Google

https://www.mustrad.org.uk/articles/gauhar.htm

Edited & Designed: Dr. Suranjita Paul

Data processed at SAP-DRS Lab, Department of Instrumental Music, Rabindra Bharati University.

A surrealistic story shared by Bishoke Sil

Told by Bishoke Kumar Sil
Obtained by Suranjita Paul
Date 29th September 2016
Place 84A, Ahiritola. Kolkata- 700005
About the speaker Bishoke Kumar Sil is an eminent Sitar and Rudraveena player of Seni gharana
Tags Chatubabu, Veena, Sandip Dev, Tabla, 2012, Pakhawaj, Ranjita Mukherjee, Sarod, Anahata Nada
Language Bengali

Bishoke Kumar Sil speaks:

 

Data processed at SAP-DRS Lab, Department of Instrumental Music, Rabindra Bharati University.