Category Archives: Music Allied

Organizing Music Concerts—Money Matters!

Told by Pt. Anindya Banerjee
Obtained by Sukanya Sarkar
Date 9th March 2015
Place 50/1A Purnadas Road, Kolkata-700029
About the speaker Pt. Anindya Banerjee is an eminent Sarod and Sursringar player of Maihar gharana
Tags Ramakrishna Mission, Golpark,  M.S. Gopalakrishnan, 18000/-, 19000/-, Artist, Organiser, Ulhash Kashalkar, 5000/-, 8000/-, vocalist, Tabla player, United States, Concert, Samta Prasad, Reception, Lahara, Disciple, 1977, Audiences, All night concert, Ali Akbar khan, Vilayat Khan, Duet, Girija Debi, Nikhil Banerjee, Netaji Indoor Stadium, Allauddin Music Circle, Stage
Language Bengali

Pt. Anindya Banerjee speaks:

Verbatim:

I had a very odd experience while organizing concerts for Ramkirishna Mission, two or three I’ll mention, one is, it’s basically based on monetary things,

M.S.Gopalkrishnan

Once M.S.Gopalkrishnan refused to take some extra money, what happened, he was suppose get rupees eighteen thousand  or rupees nineteen thousand or  something, but instead in order to make it round off  and we wanted to pay him rupees twenty thousand, but  he refused to take that, and we said that we have  made this voucher so we can’t cancel it,  but he said no no, he was adamant, he said you make a new voucher and then I’ll accept it. So we had to give him the exact amount. Which is a very rare thing because in most of the time the artists want to grab as much as money from the organizers.

Second thing happened also with Pt. Ulhas Kashalkar. He agreed to sing with five thousand rupees, but he we had fund so gave gave him,eight thousand rupees, three thousand rupees extra, which he also refused, he said “no, I can’t take that extra money and on top of that this is a very religious institution, I can’t take extra money from them”. So there were two other musicians, one very famous vocalist, who took first class air fare, he did not come and he used the ticket, and he never talked about that thing and never returned that money, which is very bad. Same thing also happened with one very famous Tabla player who resides in U.S.A. He didn’t come and next time he said last year while coming to this concert I had to pay so much extra money, so please give me that money. But actually he didn’t come and didn’t spent any kind of money but we had to sent because he was such famous artist. So in organizing concerts, this kind of things happens.

It happened with Samta Prasad ji also, we organized a concert with three very famous Tabla player’s solo, again in Ramkrishna Mission, so Samta Prasad ji came two years earlier than the concert and he stayed at Ramkrishna Mission guest house, he thought that this guest house is like a hotel, So he used to call at the reception at a very late night and asked for Paratha and Boti Kabab or something like that, and though it was prohibited but he used to have drinks there, then one day he fell sick, actually he fell sick after playing his Lahara, then we found that he consumed almost two k.g.s of Kaju Badam ( Cashew Nuts) and we came to know that from his disciples that their Guruji consumed that amount of Cashew Nuts, so we had a big problem in cleaning the room and so these things also happens organizing concert.

Ustad Ali Akbar Khan and Ustad Vilayet Khan

We also had a big fighting with the audience in 1977. We organized a night long concert of Ali Akbar Khan Sahab and Vilayat Khan Sahab duet, and also Girija Devi and Nikhil Banerjee at Netaji Indoor Stadium. We had a music circle called Allauddin Music Circle, on behalf of that we organized that concert. You know that the stage there is oval shaped and so everyone could not seat in front, because all tickets were sold out so many people were seating at the back side of the artists, which they didn’t like, and they kept on shouting that ‘you have to turn, you have to turn’, which couldn’t be possible and as we were the part of organizers wearing batches so people can find us and they started abusing us and somehow we have announced on the stage that it is not possible so please bear with us and just listen them playing but they kept on shouting that no we want to see them too and not only listening we also want to see their face and mood and expressions of the artists, so we were almost beaten up by the audience but somehow we were rescued so this is another part of organizing a concert.

Verbatim by: Rajeswary Ganguly Banerjee

Picture Courtesy: Google

http://www.sruti.com/index.php?route=product/product&path=6&product_id=339

 : https://www.google.com/search?q=Ali+Akbar+Khan+Vilayat+Khan&client=firefox-b-ab&tbm=isch&tbs=rimg:Cc7PoWHJDf43IjisxNeXoRJK-scTnfMi3xDjcqTilByHbevErH3XcVCY4Hx5hAb8JJvF6Aymb1zhdVcxwY7jGJMg1ioSCazE15ehEkr6EZ9Ui4oVctaXKhIJxxOd8yLfEOMR1Zbu4tUeh5kqEglypOKUHIdt6xEEzOLUczC0yioSCcSsfddxUJjgEfJ5W2UkAI53KhIJfHmEBvwkm8URbh308-pNm3oqEgnoDKZvXOF1VxGthIdLisaoqCoSCTHBjuMYkyDWEZqWrJZtciwv&tbo=u&sa=X&ved=2ahUKEwjy2ay0wr7bAhVDfisKHaBDAukQ9C96BAgBEBs&biw=1366&bih=631&dpr=1#imgrc=zs-hYckN_jdZlM:

Edited & Designed: Ms. Rajeswary Ganguly Banerjee 

Data processed at SAP-DRS Lab, Department of Instrumental Music, Rabindra Bharati University

 

 

Music wins over Electrical Failure : Ustd. Amjad Ali Khan at Rabindra Sadan

Told by Ashim Kanti Karmakar
Obtained by Suranjita Paul
Date 25th August 2016
Place 183E, Nabarun Co-op Housing society, Thakurpukur, Kolkata -63
About the speaker Sri Ashim Kanti Karmakar is a hardcore listener of Indian Classical Music and a regular visitor of Musical Concerts of Kolkata
Tags Rabindra Sadan, Amjad Ali Khan, Sarod, Zakir Hussain, Tabla, 3 hours, 1980, Stage, auditorium, silence, Break, amplification off, elctrical failure
Language Bengali

Ashim Kanti Karmakar speaks:

Thoughts of Asit Banerjee – Music and its Natural and Super-natural Impacts

Told by Pt. Asit Kumar Banerjee
Obtained by Suranjita Paul
Date 27th August 2016
Place 62/36/1 Hari Pada Dutta Lane, Kolkata- 700033
About the speaker Pt. Asit Kumar Banerjee is an eminent Rudra veena player and representative of Dagarbani Dhrupad in Kolkata
Tags Joykrishna Sanyal, Space, Voice training, Mallar, Tansen, Haridas Swami, Brahma, magnetic electron, cell, Behat, Gwalior, Tansen Festival, Kirtana, Parampara, Baiju Bawra, Music Therapy
Language Bengali

Pt. Asit Kumar Banerjee speaks:

Some part of this recording gives us an opportunity to listen to a musician’s thoughts those are far from common. So, we thought to share these rare reflections generated from a highly dedicated musician’s mind. – Editor

Two legends on stage but he could only pray for one!

Told by Dilip Mukherjee
Obtained by Rajeswary Ganguly Banerjee
Date 19th August, 2016
Place S.A.P. Lab, Instrumental Music Department , Rabindra Bharati University , B.T. Road Campus.
About the speaker Renowned Tabla Player, Accompanist Department of Instrumental Music, Rabindra Bharati University
Tags performance, Shyamal Bose, 1960, Amir Khan, Bade Ghulam Ali Khan, Vocal, Accompanist, Vilayat Khan, Begum Akhtar, Raag Lalit,    Audience
Language Bengali

Dilip Mukherjee speaks :

 

No Amplification in Kalamandir : Pt. A. Kanan sings

Told by Rajyasree Ghosh
Obtained by Rajeswary Ganguly Banerjee
Date 19th August, 2016
Place S.A.P. Lab, Department of Instrumental Music, Rabindra Bharati University ,B.T.Road Campus.
About the speaker Renowned   Vocalist, Assistant Professor , Rabindra Sangeet Department , Rabindra Bharati University
Tags 1975, Kalamandir, Performance, Jnan Prakash Ghosh, Prasun Bandyopadhyay, A.T. Kanan , Malabika Kanan, Buddhadeb Dasgupta, 1974, Music Conference, Bageshree,Taar Saptak Sa, Sam, Sagird, Bandish.
Language Bengali

Smt Rajyasree Ghosh Speaks :

Verbatim:

???? ???? ?????????? ???? ???? ???? ??? ???? ???? ????????? ?? ???????????? ????? ??????????? ??? ?????, ???????? ????????, ???? ??????????????, ?????? ??????????????, ???? ?????, ??????? ??, ??????? ?????

???? ????? ???? ? ?? ?????

?????, ????? ??????? ??? ???????, ??? ??? ????? ???? ???, ??? ???? ????? ????? ??? ??? ???? ???? ???? ????? ??????? ????????? ????, ?? ????? ?????????? ??? ??????????? ??? ??? ?? ???????? ?????? ????? ???? ???????? ???? ?????????? ??? ??????? ?????? ??????? ????? ??? ??? ???? ????? ??????,

Pt. A.T.Kanan

?????? ????? ?????? ???? ???? ????? ?????, ???????? ??????, ‘??? ?? ????’ ????? ????? ???? ??????? ????? ?? ????? ????? ?????? ??? ??? ????? ??? ???? ??? ?????????? ??????????  ????? ??? ??????????, ???? ???? ???, ????? ??? ???? ?????? ?? ???? ?? ???????? ?? ???? ?? ??? ????, ??? ??? ??????? ?????? ?? ???? ??? ?????, ??????????, ?????????? ??? ??? ????? ?????, ?? ????? ?? ??????? ??? ??? ????????, ???? ????? ???? ?? ??? ???, ?????? ‘??? ?? ??” (?????????)??? ????? ?? ?? ??? ?????????? ??? ???? ??????? ??? ????? ??????, ?? ???????? ????,?????? ????????????? ?? ??? ???????? ?? ???? ???? ??? ???? ???? ?????, ?? ???, ??? ???, ??? ???? ???? ??? ??????? ???????????? ??? ????

Verbatim: Rajeswary Ganguly Banerjee

 Translation

This is an incident from the year 1975 which took place at Kalamandir. At the program, there was present Jnan Prakash Ghosh, A.T. Kanan, Prasun Bandyopadhyay, Budhadeb Dasgupta and Malabika Kanan. At that time, I was in eighth standard in school, and this was an incident from the year 1984 and I had just begun my journey in the musical world through experiencing whole night conferences. The first performance that I remember was a duet by Jnan Prakash Ghosh and V Balsara. It was a different kind of experience altogether- the duet of harmonium and piano. Though I wasn’t able to appreciate much, but I really liked it. After one more performance, Kanan Saheb went on stage. He sang the Bageshree Raga- “Sakhi Man Laagi” with the Sa into the Sam. Ten minutes after he began, there was a power cut, which lasted for 45 minutes. I remember, the crowd was totally silent, and Kanan Saheb went on with his performance uninterrupted. Can there be anything more technical than this?

Kalamandir, A renowned auditorium of Kolkata

I had a balcony seat, which used to cost ten rupees back in those days, and I listened to him. I don’t remember the names of his companion, who was excellent as well. I felt Kanan Saheb’s voice was like an arrow, from my balcony seat. If it would have taken place today, even I would have stopped singing in the power cut. This incident has been imprinted in my mind since then.

 

 

Translated by: AnkanaDas 

Picture Courtesy: Google

https://www.google.com/search?client=firefox-b&biw=1366&bih=631&tbm=isch&sa=1&ei=EerqWpr-NMOm0ATYtpXoAQ&q=a+t+kanan+&oq=a+t+kanan+&gs_l=psy-ab.12..0i24k1l2.4002.4002.0.8182.1.1.0.0.0.0.214.214.2-1.1.0….0…1c.1.64.psy-ab..0.1.212….0.75f1YnGp9eE#imgrc=RxMfldkxIeyhWM:

 

https://www.google.com/search?client=firefox-b&biw=1366&bih=631&tbm=isch&sa=1&ei=EerqWpr-NMOm0ATYtpXoAQ&q=kalamandir+auditorium+kolkata&oq=kalamandir+a&gs_l=psy-ab.1.2.0l5j0i24k1l5.2230.6090.0.8894.12.11.0.1.1.0.274.1718.2-8.8.0….0…1c.1.64.psy-ab..3.9.1736…0i67k1j0i10k1.0.cKotr9mY_8c#imgrc=1sxg_O79A0tahM:

Edited & Designed: Ms. Rajeswary Ganguly Banerjee

Data processed at SAP-DRS Lab, Department of Instrumental Music, Rabindra Bharati University

 

 

 

Bridged with silence – Ali Akbar & Ravi Shankar

Told by Dr. Rajeeb Chakraborty
Obtained by Sukanya Sarkar
Date 11 July, 2014
Place Kolkata residence of Dr. Rajib Chakraborty, Swinhoe Street, Kolkata 700019
About Dr. Rajeeb Chakraborty Dr. Rajeeb Chakraborty is a renowned sarod player, a music composer, and also involved in a large number of experimental projects internationally. He received several awards for his experimental work in music.
Tags 1982, Golpark Ramakrishna Mission Institute of Culture, Ali Akbar Khan, ravi Shankar, silence
Language Bengali

Dr. Rajeeb Chakraborty speaks :

Remembering the ‘Aritra’: A Baithak Space of significance

Told by Dr. Rajeeb Chakraborty
Obtained by Sukanya Sarkar
Date 11 July, 2014
Place Kolkata residence of Dr. Rajib Chakraborty, Swinhoe Street, Kolkata 700019
About Dr. Rajeeb Chakraborty Dr. Rajeeb Chakraborty is a renowned sarod player, a music composer, and also involved in a large number of experimental projects internationally. He received several awards for his experimental work in music.
Tags Aritra, Prasun Banerjee, 1980’s, Kolkata. Bishop Leffroy Road,
Language Bengali

Dr. Rajeeb Chakraborty speaks :

Verbatim:

???? ????? ????????? ???? ????, ???????? ???? ??? ??????? ???? ????? ?????????? ?????? ???? ???? ???, ???? ????? ??? ????, ????? ??? ????? ??, ?? ???? ??????????? ????? ?????????? ??? ?? ???? ?????? ?? ?? ??? ???? ???, ???? ?????? ???? ????? ???? ?? ??? ??????? ??? ????? ????? ??????,

Music Room of an Old Mansion of Kolkata

????? ???? ????? ?????? ??? ???? ?????? ???? ???? ????, ???? ?????? ??????????, ???? ?????????? ????, ???????? ??????????? ????, ???? ????, ??? ‘??????’ ??? ???? ?????? ???? ?????, ??? ???????? ????? ????? ??? ?? ????? ???, ?????? ????? ????????? ??, ??????? ??????? ?? ?????? ???? ???, ??? ???? ????, ????? ????, ??????? ????? ????, ??? ??????  ??? ?? ??? ????? ???? ??, ??? ??? ????? ???? ?????? ??? ??????? ???? ??, ???? ???? ???? ???, ?? ?????? ?????? ??? ???????? ?????? ???? ??? ????? ??????, ??? ?????? ?? ??????????, ???? ??? ?? ??? ?????? ?? ????? ??? ????????? ?????, ??? ,????? ??? ??? ??????? ?????, ????? ????????? ??? ?????, ???? ????, ???? ??????? ???? ??, ?? ?????? ???? ??  ?? ??? ????? ?????? ???? ???????? ??? ??? ???, ????? ?????? ??, ??? ???????, ????? ?? ???? ?????? ????? ??? ?????, ???? ????? ????????? ????? ????, ??? ??? ??????? ????? ???? ???? ???? ????? ???? ??? ??????? ??? ????, ????? ??? ????? ????? ???? ??????, ???? ??????, ?????? ?? ?????? ???? ?? ???? ??? ????? ????? ???? ?????? ???? ????? ??? ??? ???, ???? ?????? ?? ????????? ????? ?????, ?? ?????, ??? ??????????? ?? ??? ?????? ???? ?????????????? ???? ?????? ?? ????? ??????, ???? ???? ???? ???? ????? ????? ????

Verbatim: Rajeswary Ganguly Banerjee   

 Translation:

During such a time, Borda Kaku, that is Prasun Banerjee, Pratyush’s father, started an organisation called Aritra in a large British-era house on Bishop Lefroy Road. The hall was a hundred feet in length and forty feet in breadth. Private music programmes were held in Aritra for fifteen years – at least once or twice a month. I don’t think I have missed a single programme at Aritra if I was in Kolkata at the time. We were always eager to go to such places, we wanted to perform, but weren’t getting the chance, it became a meeting place with friends. We would go there to vicariously satisfy our desire to be associated with music. But actually we couldn’t do anything, I can’t do anything even now, but Aritra occupies a special place in my youth. Those performances, that atmosphere of music held a special place for me.

Translation: Sarbajaya Bhattacharya

Picture Courtesy:  Google     

   https://www.google.co.in/search?client=firefox-b&dcr=0&biw=1366&bih=631&tbm=isch&sa=1&ei=bZPUWvuHD4PavgS2uIegAg&q=chandelier+at+old+houses+kolkata&oq=chandelier+at+old+houses+kolkata&gs_l=psy-ab.3…8470.10630.0.11030.8.8.0.0.0.0.144.936.0j7.7.0….0…1c.1.64.psy-ab..1.0.0….0.Bc0YwDQpTBs#imgdii=5opV5ehlWjwANM:&imgrc=t30f864CQIlHBM:

Edited & Designed: Ms. Rajeswary Ganguly Banerjee

 

 

 

No self-compromises during performances

Told by Swaraj Bhattacharya
Obtained by Pintu Saha
Date 22 July 2016
Place Howrah residence of pt. Swaraj Bhattacharya
About Swaraj Bhattacharya Pt. Swaraj Bhattacharya, belongs to Lucknow Gharana, a disciple of Ustd. Afaq Hussain Khan, an eminent table player and thinker.
Tags Ahmedjan Thirakawa, All India radio, Mahesh Mishra, tabla, sarengi, Keramatullah Khan, Shyamal Bose, Amir Khan, Lalit, Muhammad Ali Parj, Sarba Bharatiya Sangeet Sammelan, 1970’s
Language Bengali

Swaraj Bhattacjarya speaks:

Noble gesture of musicians

Told by Swaraj Bhattacharya
Obtained by Pintu Saha
Date 22 July 2016
Place Howrah residence of Pt. Swaraj Bhattacharya
About Swaraj Bhattacharya Pt. Swaraj Bhattacharya, belongs to Lucknow Gharana, a disciple of Ustd. Afaq Hussain Khan, an eminent table player and thinker.
Tags Afaq Hussain Khan, Mahajati Sadan, Keramatullah Khan, 1970’s
Language Bengali

Swaraj Bhattacharya speaks:

Sur Thik se Nahin Lagaa : Ustd. Bade Ghulam Ali Khan

Told by Swaraj Bhattacharya
Obtained by Pintu Saha
Date 22 July 2016
Place Howrah residence of pt. Swaraj Bhattacharya
About Swaraj Bhattacharya Pt. Swaraj Bhattacharya, belongs to Lucknow Gharana, a disciple of Ustd. Afaq Hussain Khan, an eminent table player and thinker.
Tags 1967-68, Academy of Fine Arts, Surela, Afaq Hussain Khan, Saatrang, Bade Ghulam Ali Khan, Green room, Natural C, Kolkata.
Language Bengali

Swaraj Bhattacharya speaks: