Category Archives: Others

No self-compromises during performances

Told by Swaraj Bhattacharya
Obtained by Pintu Saha
Date 22 July 2016
Place Howrah residence of pt. Swaraj Bhattacharya
About Swaraj Bhattacharya Pt. Swaraj Bhattacharya, belongs to Lucknow Gharana, a disciple of Ustd. Afaq Hussain Khan, an eminent table player and thinker.
Tags Ahmedjan Thirakawa, All India radio, Mahesh Mishra, tabla, sarengi, Keramatullah Khan, Shyamal Bose, Amir Khan, Lalit, Muhammad Ali Parj, Sarba Bharatiya Sangeet Sammelan, 1970’s
Language Bengali

Swaraj Bhattacjarya speaks:

Noble gesture of musicians

Told by Swaraj Bhattacharya
Obtained by Pintu Saha
Date 22 July 2016
Place Howrah residence of Pt. Swaraj Bhattacharya
About Swaraj Bhattacharya Pt. Swaraj Bhattacharya, belongs to Lucknow Gharana, a disciple of Ustd. Afaq Hussain Khan, an eminent table player and thinker.
Tags Afaq Hussain Khan, Mahajati Sadan, Keramatullah Khan, 1970’s
Language Bengali

Swaraj Bhattacharya speaks:

Sur Thik se Nahin Lagaa : Ustd. Bade Ghulam Ali Khan

Told by Swaraj Bhattacharya
Obtained by Pintu Saha
Date 22 July 2016
Place Howrah residence of pt. Swaraj Bhattacharya
About Swaraj Bhattacharya Pt. Swaraj Bhattacharya, belongs to Lucknow Gharana, a disciple of Ustd. Afaq Hussain Khan, an eminent table player and thinker.
Tags 1967-68, Academy of Fine Arts, Surela, Afaq Hussain Khan, Saatrang, Bade Ghulam Ali Khan, Green room, Natural C, Kolkata.
Language Bengali

Swaraj Bhattacharya speaks:

Listening to Ustd. Vilayet Khan in concert and to be at his home

 

Told by Jon Barlow
Obtained by Sanjoy Bandopadhyay
Date 14 December 2014
Place At Kolkata residence of Jon Barlow 91/1B Bondel Road, Kolkata 700019 [Ballygunge Phari]
About Jon Barlow A man in pursuit of Indian Classical Music for more than fifty years. Learnt sarod, vocal music, music collector, music craftsman, photographer, artist, music theorist.
Tags Vilayet Khan, Yaman, Hafiz Ali Khan Memorial Festival, Park Circus, 1978,
Language English

Jon Barlow speaks:

 

On Mandababu, a Tabla Player

Told by Maharaj Banerjee
Obtained by Sanjoy Bandopadhyay and Dilip Mukherjee
Date 05 July, 2015
Place Sati Sadan, 41, Harish Mukherjee Road, Bhowanipur, Kolkata 700025
About Maharaj Banerjee Son and disciple of Pt. Montu Banerjee [Tabla, Sarod, Harmonium]. Disciple of Pt. Muneshwar Dayal [Harmonium], Ustd. Ahmedjan Thirakawa. [Tabla].
Tags Manda Babu (Dakshina Ranjan Chattopadhyay), Hiru Ganguli, amateur
Language Bengali

Maharaj Banerjee speaks :

 

Efforts to Create concert Opportunities

Told by Prattyush Banerjee
Obtained by Sukanya Sarkar
Date 01 March, 2015
Place 18 Sadananda Road, Kalighat, Kolkata, Prattyush Banerjee’s residence
On Prttyush Banerjee Prattysh Banerjee is an accomplished sarod player. He is one of the foremost disciples of Padmabhushan Pt. Buddhadev Dasgupta.
Key-words Concert, opportunity, strategy, efforts
Language Bengali

Prattyush Banerjee speaks:

 

Green Rooms and Different Moods

Told by Prattyush Banerjee
Obtained by Sukanya Sarkar
Date 01 March, 2015
Place 18 Sadananda Road, Kalighat, Kolkata, Prattyush Banerjee’s residence
On Prttyush Banerjee Prattysh Banerjee is an accomplished sarod player. He is one of the foremost disciples of Padmabhushan Pt. Buddhadev Dasgupta.
Key-words Green room, Vilayet Khan, Shankar Ghosh, presence, gesture, ambience, tahzib, Nikhil banerjee, riyaz, towel, 1976
Language Bengali

Prattyush Banerjee speaks:

Music in Calcutta prior to Wajed Ali Shah

Told by Dr. Pradip Ghosh
Obtained by Prof. Sanjoy Bandopadhyay, Suranjita Paul
Date 11 July, 2016
Place Sangeet Bhavan, Emerald Bower Campus, Rabindra Bharati University
About Dr. Pradip Ghosh Dr. Pradip Ghosh is a highly acclaimed musicologist in West Bengal.
Tags Calcutta, 17th century, Job Charnock, 1690, Seth Basak, Kirtan, Portuguese, Bramhan, Kayastha, Kaetpara, Bagbazar, Maratha Bridge, Ganges, Sutanuti,
Language Bengali

Dr. Pradip Ghosh speaks :

Verbatim:

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Houses at the bank of Ganges, Kolkata

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-????? ???????? ???????

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– ???? ?????? ??? ??????

– ????, ??? ????????? ?????? ???? ???? ???, ?? ????? ???????????? ????? ???????????? ???? ???? ?? ???, ?????? ?????????? ????? ??? ????? ?????  ?? ??????? ???, ??? ????? ??? ????, ?????????? ?????? ???????????? ???? ????? ???, ???? ??????? ???? ?? ??? ?????, ?? ???? ?????? ??? ??????? ????? ????? ???, ?? ????? ?? ?????? ???? ???? ?????? ??????? ??????? ????? ??? ???????? ???????????? ???????? ????? ??? ????? ????? ?????, ???????? ??????? ???? ??? ??????? ?????, ???? ????? ??????? ???????? ??? ??? ???????? ??????? ??? ???????, ??????? ?????? ???????

– ????????? ????? ???? ?????

– ????????? ??? ???? ??? ??? ??????? ????? ???????, ???? ???????? ??????? ???? ???????, ???????? ???? ?????????? ???? ??? ??? ?? ???, ?????? ???? ?????? ??? ???, ??? ??????  ??? ??? ????? ???? ???????????????  ??, ????? ????? ????? ????? ??? ??, ??? ???? ?????? ???? ???????, ?????? ??????????? ??? ??? ????? ???? ???????? ???? ?????? ?????? ??????, ?????? ?????? ?? ???? ?????? ??? ???? ??????? ???? ???? ?????? ??? ???? ????????  ????? ?????? ?? ???? ??? ?? ??? ????? ???????  ????? ????? ???? ???? ????, ????? ? ????, ?????? ??????? ???, ???? ????? ??? ???? ??????? ???, ?????? ??? ?????? ???????? ????? ???? ?????? ???????? ????????? ?????? ?????? ???? ????

Verbatim by: Rajeswary Ganguly Banerjee

 Translation:

What we know now of  Kolkata, that is before Job Charnock came here in the 17th century, wasn’t very invested in music as we know today. Residents of Kolkata, mainly the business classes, they held programs for their own entertainment. Among businessmen, Seth,  Basak, who were mainly Textile merchants, would held several programs to commemorate their traditions in their palaces. Baiji Dancers were also common in this respect, and also the  Kirtan . The period I am talking about here is near the end of Mughal Rule, in the 17th century… these people would bring singers and performers to their houses for entertainment.

Job Charnock Mausoleum at Kolkata

Job Charnock came to Kolkata in the year 1690. But let me tell you before that, that all the settlement in this part took place on the banks of the river Ganga, which mainly comprised of Portuguese settlers. We also have to remember that it was the Business classes, which had come here. According to historical records, Brahmins, Kayasthas or Baidhyas did not used to come to settle here.  The same reason, we won’t find Kayashtha Para, Bamun Para or Baidya Para. On the contrary, you will find Benetola here. Portuguese, Dutch and other merchants used to come. If you do a survey, you might find a lot of big dwelling houses of these merchants on the banks of this side of the Ganga. Bagbazar and such areas are all the same. But the Maratha Canal that was dug was later; after the attack of Maratha. So, these types of houses of the merchants are also found in and near Hoogli, though all were situated on the banks, because in those times, the river was the only communicable source for the people. There were no road or rail transport, thus the river was very important for communication. The merchant classes, mainly the textile merchants, used to work with threads, or Sutas, thus the name Sutanuti came into being. Apart from the manufactures, who sold products to the foreigners, there also were investors. These investors, or Seth,  Basaks, were of two types. One was located in the Hoogli district’s Tribeni where they had a centre. The other was located at Dhaka. Thus we find the Seth Basaks in these two regions. Education came very late to Kolkata. Long before in Kolkata, Nabadwip was the hub centre for education.

The foreigners, be it the Portuguese, Dutch or British, they used to set up Bajras (or cruise boats) where they would indulge in music and dance; and here Baijis culture was also be common. We can’t now prove whether Classical Music was prevalent there or not. The court music or art music was not common, if not the rulers took the performers there. Whether the performers came to the invitation of the foreigners is a matter of doubt. But lighter songs, which may or may not be based on Raags might have been prevalent, but pure Classical Music came to Kolkata long after this time.

 Translated by:  Ankana Das.

 Picture Courtesy: Google

https://www.google.com/search?client=firefox-b&biw=1366&bih=631&tbm=isch&sa=1&ei=3ArjWvW8OsjavgSfqqCQBQ&q=bathing+ghatgs+of+old+houses&oq=bathing+ghatgs+of+old+houses&gs_l=psy-ab.3…7572.10062.0.10384.10.10.0.0.0.0.220.1618.0j3j5.8.0….0…1c.1.64.psy-ab..2.0.0….0.OZVxEF_arc4#imgrc=wk1R_wMCTnTfxM:

https://www.google.com/search?q=job+charnock+kolkata&client=firefox-b&tbm=isch&tbs=rimg:Cf0rZTw7GVk6IjhTxoVQ9bzHOZohIWGO1WMAZO31h_1wlD2778wkuRl-HJV-iqJPKw4xcRz3U9PU_1X16SvkFdWCK-iCoSCVPGhVD1vMc5EfN3WUPUkwDCKhIJmiEhYY7VYwARVFxo5Dn_1OaEqEglk7fWH_1CUPbhFjIdg-ItQTRyoSCfvzCS5GX4clEW3ekJB6Ml1tKhIJX6Kok8rDjFwR3VEffgP8N8UqEglHPdT09T9fXhGKK-hWuINjJCoSCZK-QV1YIr6IESKmzel91o7p&tbo=u&sa=X&ved=2ahUKEwjcu–005vbAhVDkpQKHWPgDnEQ9C96BAgBEBs&biw=1366&bih=631&dpr=1#imgrc=AosFIx_jrxG2WM:

 

Edited & Designed: Ms. Rajeswary Ganguly Banerjee

Data processed at SAP-DRS Lab, Department of Instrumental Music, Rabindra Bharati University

 

 

 

 

 

Pt. Vishmadev Chatterjee orders Duck Roast… Musicians’ Night Out

Told by Somjit Dasgupta
Obtained by Sanjoy Bandopadhyay and Troilee Dutta
Date 14 July, 2015
Place Residence of Somjit Dasgupta Prof. Sanjoy Bandopadhyay, 3/1/1D, Padmapukur Road, Kolkata 700092
About Somjit Dasgupta Disciple of Pt. Radhika Mohan Maitra. Preserving rare musical instruments including the instruments belonged to Pt. Radhika Mohan Maitra. He plays different instruments like Sarod, Surshringar, Mohan Veena, etc.
Tags Vishmadev Chattopadhyay, Bhismadev, Anath Nath Bose, Duel voice singer, Radhika Mohan Maitra, Mushtaq Ali Khan, Gariahat, Begum Akhtar, Sachin Deb Burman, Rabindra Mohan Maitra, Keramatullah Khan, Mushtaq Ali Khan, 1950’s,
Language Bengali

Somjit Dasgupta speaks :

 

Praan bhi lenge Paisa bhi Lenge!!

Told by Somjit Dasgupta
Obtained by Sanjoy Bandopadhyay and Troilee Dutta
Date 14 July, 2015
Place Residence of Somjit Dasgupta Prof. Sanjoy Bandopadhyay, 3/1/1D, Padmapukur Road, Kolkata 700092
About Somjit Dasgupta Disciple of Pt. Radhika Mohan Maitra. Preserving rare musical instruments including the instruments belonged to Pt. Radhika Mohan Maitra. He plays different instruments like Sarod, Surshringar, Mohan Veena, etc.
Tags Rathin Chattopadhyay, Ata Hussein Khan, 1950, LIC, Thakur Jaidev Singh, Raja Chhatrapati Singh, Chhaya Bihag, Radhika Mohan Maitra, Krishnarao Shankar Pandit, Paresh Bhattacharjee.
Language Bengali

Somjit Dasgupta speaks :