Category Archives: Concert Management

Ustad Faiyaz Khan and Ustad Vishmadev Chattopadhyay—The Star Attractions of All Bengal Music Conference

Told by Sri Jayanta Chattopadhyay
Obtained by Rajeswary Ganguly Banerjee
Date 23rd March, 2017
Place S.A.P. Lab, Instrumental Department, Rabindra Bharati University, B.T. Road Campus.
About the speaker Renowned Vocalist and Musicologist, Son of Legendary Musician Ustad Vishmadev Chattopadhyay.
Tags 1934, Bhismadev Chattopadhyay, Vishmadev Chattopadhyay , Dhurjati Prasad Mukhopadhyay,  Karachi, All Bengal Music Conference, Senate Hall, Faiyaz Khan, Organizer, Dhiren Ghosh, Haripada Chattopadhyay, Ghulam Rasool, Jnanendra Prasad Goswami,Hirendra Kumar Ganguly, Hiru Babu
Language Bengali

Sri Jayanta Chattopadhyay speaks :

 

Data processed at SAP-DRS Lab, Department of Instrumental Music, Rabindra Bharati University.

The Inspirations behind the origin of All Bengal Music Conference

Told by Sri Jayanta Chattopadhyay
Obtained by Rajeswary Ganguly Banerjee
Date 23rd March, 2017
Place S.A.P. Lab, Instrumental Department, Rabindra Bharati University, B.T. Road Campus.
About the speaker Renowned Vocalist and Musicologist, Son of Legendary Musician Ustad Vishmadev Chattopadhyay.
Tags All Bengal Music Conference, 1934, December,  Allahabaad Sangeet Sanmelan. 1931, Allahabaad University, Dakkhina Ranjan Bhattacharya,Thakur Joydeb Singh, Kanpur Government College,    Noni Motilaal, Bowbazar, Benaras, Sitar, 1933, Hiru Babu, Hirendra Kumar Gangopadhyaya, Enayet Khan, Vilayat Khan, Ramkrisna Mishra, Phulu Mukherjee, Girija Shankar Chakrabarty, Jamini Gangopadhya, Jamini Ganguly, Rathin Chattopadhyay, Rathin Chatterjee, Shailen Bandopadhyay, Shantilata Bandopadhyay, Kripa Bandopadhyay, Teacher’s Cup, Bhupen Ghosh, Pathuriaghata, Jnanendra Prasad Goswami, Promothesh Barua, Probhat Barua, Prafulla Thakur, Damodor Das, Dhirendra Kanto Lahiri Chowdhury, Vishmadev Chattopadhyay, Bhismadev, Krisna Chandra Dey, Shachindas Motilal, Anath Nath Bose, Abdul Karim Khan, Faiyaz Khan, Bhai Paramananda, Kriparam, Ahmed Jaan Thirakua
Language Bengali

Sri Jayanta Chattopadhyay speaks :

 

Verbatim:

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Hiru Babu with Ustad Abid Hussain Khan

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??? ??? ?????????????

???????? ????????????? …… ?? ?????? ?? ???? ??? ??? ?? ????? ??????? ?? ???? ???????? ??? ????, ???????????? ??? ????, ??? ???? ?????? ??? ????? ??? ???? ????? ??? ????? ???? ??? ?? ???????????????? ?? ????????? ???????, ???????? ???? ????? ???-????? ??? ????? ??? ????????? ?????? ??? ????? ?? ??? ???? ?????? ????????????? ????? ??? ??? ?????? ????? ??? ???? ???????? ????????? ?????, ???? ???? ???? ??? ?????? ??? ??????, ???? ???? ?????? ??? ??????? ?????? ??????? ??????? ?????? ?????, ?????? ?????????? ????? ?????, ????? ??????? ????? ?? ?????? ???? ???? ?? ?????? ?????, ?? ?????????? ?????? ???????????????? ?? ???? ????? ??? ?????? ??????? ????? ??????? ?????? ???? ???? ?????? ?????, ???????? ?????, ?????? ???, ????? ?????????????? ?????? ???????

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??????? ?????

?????,  ???????-?? ?? ?????? ????????-?? ??? ?????? ??? ?????? ??????, ??? ?????, ??? ?? ????? ?????? ?? ??? ???????? ?????? ??, ???? ?????? ??? ?????? ??? ?????? ????? ?????????? ???? ????? ??? ???? ??? ??? ??? ?????? ??????? ?????? ?? ??? ?????? ??? ???? ????????? ??? ?????? ?? ???? ??? ????????? ?????????, ?? ???? ????? ??????????

Verbatim by: Dr. Suranjita Paul

Translation:

If I am to speak about the All Bengal Music Conference of December, 1934, then I have to speak about the Allahabad Music Conference and the competition. Otherwise I won’t be able to make the connection. In 1931, Allahabad University organised a music conference and competition. One of the founders was Dakkhsinaranjan Bhattacharya – the Head of the Department of Zoology. He was aided by his friend and colleague Thakur Jaidev Singh – a professor at the Kanpur Government College, and Nani Motilal. Nani babu actually hails from Kolkata. He used to live near Bowbazar. He later shifted to Benares. He was a patron of music and an amateur sitar player. Many performers have graced his home in Benares. So, all these people were in-charge of the conference.

In 1933, Nani babu said to Hiru babu that Dakkhsinaranjan babu has invited him there to perform. Nani babu and Hiru babu were friends of my father’s. Hiru babu was like a guardian. At that time Dakkhsinaranjan babu had come and he had heard Hiru babu play. Hiru babu’s name was Hirendranath Gangopadhyay, but he was better-known and famous as Hiru Ganguly. So, he heard Hiru babu play and invited him to perform. Inayat Khan, the father of Vilayet Khan, also went. They were accompanied by the singer Ramkrishna Mishra. The three of them were supposed to perform together. Then Dakkhsinaranjan babu said, “We also hold a competition there, so you can take one of your students if you so wish.”

Phulu Mukherjee participated in the competition as Hiru babu’s student. Many students of Girija babu had participated in the competition –  Jamini Gangopadhyay, Rathin Chattopadhyay, Shailen Bandopadhyay, Shantilata Bandopadhyay, Kripa Bandopadhyay, among others. And all of them were awarded either first or second place in their respective categories. And there was a tradition there that the guru with the maximum number of awarded disciples would win a cup. Girija Shankar Chakraborty won the cup that year in absentia. (UNCLEAR) So after these events, Dakkhsinaranjan babu said, “The university doesn’t give us a lot of money to organise this event. Organising a conference and a competition is quite expensive. There are many…”

– Which university is this?

Allahabad University. So…”it is very expensive. There are so many rich people in Kolkata, and music-lovers, so if some money could be arranged then it would be very helpful.” Hiru babu then invited Dakkhsinaranjan babu to his place and the latter accepted the invitation and arrived in June-July. He was taken to Bhupen Ghosh’s residence in Pathuriaghata. Bhupen Ghosh was a patron of music and many musicians would come and stay at his home. Vishnu Digambar Paluskar had stayed there for many days. Our Gyan babu – Gyan Gosai – also lived there for some time. Anyway, Dakksinaranjan babu was taken there. Present there were Pramathesh Barua’s father Rajah Prabhat Barua, Prafulla Thakur, Damodar Das, and Dhirendrakanta Lahiri Choudhury.

Bhupendra Krishna Ghosh

So when Dakkhsinaranjan babu explained the financial situation to Bhupen babu and expressed their hope of sponsorship to organise a good conference, everyone agreed readily. In that day and age, everyone present donated Rs.250/- and Bhupen babu donated Rs.500/-. They were all invited. Not everyone could  make it, but Bhupen babu had gone to the programme. Others who went to the programme by invitation include Vismadev Chattopadhyay, Krishnachandra Dey, Shachindas Matulal, Anath Basu. When Bhupen babu went there, he saw that the famous musicians of India had come there to perform. The likes of Abdul Karim Khan sahib, Faiaz Khan sahib, Bhai Paramananda, Kriparam, Ahmed Jaan Thirakuya were performing there. A lot of reverence was shown for the artistes from Bengal. When he saw this he thought, “Why can’t we do something similar in Kolkata? Why can’t this happen in Bengal?” With this thought in his head, he returned. The Allahabad Music Conference was held at the time of Kali puja.

– In 1934?

Yes, in 1934. He managed to organise the programme within two months, and the conference was scheduled to be held in December. He wanted Hiru babu to be a member of the committe because he was educated. I received a lot of authentic news from him when I interviewed him.

Translated by: Sarbajaya Bhattacharya

Picture Courtesy: Google

http://52kaidas.blogspot.com/2012/11/guest-post-david-yovino-and-new-tabla.html

https://www.google.com/search?q=bhupendra+krishna+ghosh&client=firefox-b-ab&source=lnms&tbm=isch&sa=X&ved=0ahUKEwj-i5fH4b7bAhVGKo8KHf9FAxQQ_AUIDCgD&biw=1366&bih=631#imgrc=0xF0VBDFsEgGyM:

Edited & Designed: Dr. Suranjita Paul

Data processed at SAP-DRS Lab, Department of Instrumental Music, Rabindra Bharati University.

Socialization and Concert Engagements

Told by Tirthankar Benerjee
Obtained by Professor Sanjoy Bandopadhyay
Date 14th  February 2017
Place 3/1/1D Padmapukur Road, Kolkata 700092
About the speaker Tirthankar Banerjee is a well-known sitar player of Kolkata. He is a disciple of Sitar maestro Pt. Dipak Chowdhury.
Tags Kolkata, Musicians, Profession, Tuition, Programme, Socialize, Programme arrange, Promote, Guruji, Dipak Choudhury, After 2000, Corporate House
Language Bengali

Tirthankar Benerjee speaks:

Data processed at SAP-DRS Lab, Department of Instrumental Music, Rabindra Bharati University

Organizing Music in Baithak Format

Told by Tirthankar Benerjee
Obtained by Professor Sanjoy Bandopadhyay
Date 14th  February 2017
Place 3/1/1D Padmapukur Road, Kolkata 700092
About the speaker Tirthankar Banerjee is a well-known sitar player of Kolkata. He is a disciple of Sitar maestro Pt. Dipak Chowdhury.
Tags Kolkata, Baithaki Programme, Tradition, Sur Sagar Society, Akhi Ranjan Das, Organiser, Bhawanipur, Beltala Road, Siddhartha Sankar Roy, Lav Kush Apartment,  90’s, Artists, Sound System, Classical Programme, funding, Donation, Membership,   Joydeep Ghosh, Biswanath Ghosh, Vocal, Instrumental, Tabla, Harmonium, Taxi Fare, Kartick Kumar, Subhra Guho
Language Bengali

Tirthankar Benerjee speaks:

Data processed at SAP-DRS Lab, Department of Instrumental Music, Rabindra Bharati University

Trick of an Organizer unveiled

Told by Jyoti Goho
Obtained by Suranjita Paul
Date 21st February 2017
Place ITC Sangeet Research Academy, 1, Netaji Subhash Chandra Bose Road, Tollygunge, Kolkata – 700040
About the speaker Jyoti Goho is a well-known Harmonium player of Indian Classical Music. He is a Musician Faculty in ITC Sangeet Research Academy, Kolkata.
Tags Sutanati Conference, Doverlane music Conference, P.L.Das, Organiser, Tabla, Harmonium, Panditji, Bhimsen Joshi, 1994
Language Bengali

Jyoti Goho speaks:

A. Throughout this recording Jyoti Goho has addressed Pandit Bhimsen Joshi as Panditji. B. The incident happened after 15 days of ITC-SRA Music Program in memory of Ustd.  Nisar Hussain Khan in   1994. – Editor

 Text version:

???????? ?????????, ????? ?????? ??????? ????? ??? ??? ????? ?? ????????????(?????????? ??????????????)?? ???(?????? ????)???????????? ??? ???? ???? ???? ????? ??? ??? ???? ?? ????? ????? ??? ?????? ??? ??.??. ??? ??? ???? ??????????, ???? ????? ????? ???????, ???? ??? ???? ?? ??? ???? ?????? ??????, ???????? ???? ???? ???? ?????? (?????)????? ???? ????? ??? ????? ?????????????? ??? ?????? ??????(????????)?????, ??? ???? ???? ??? ?????, ?? ????? ?? ????? ????? ??? ?? ??????? ??? ???????? ??????? ?? ???? ???(????????)?????! ??? ??? ?? ???? ????? ????? ?? ???? ????? ??????? ????? ?? ?????? ???? ??, ?? ???? ???????? ???? ?????? ??? ??? ?????(????????)??? ?? ???? ?? ???? ??? ???? ?? ??? ???? ???? ??????? ????? ???? ??? ??? ??? ?????, ??? ??? ??? ??? ??? ?????? ????? ?? ????? ?? ?? ????? ???? ???? ??? ???? ??????? ?????? ?????, ????????? ?????? ?????? ???? ???? ???? ???? ??? ????? ??? ????? ??? ?? ???? ????? ??? ??? ???? ??? ?????

Verbatim: Dr. Suranjita Paul

Data processed at SAP-DRS Lab, Department of Instrumental Music, Rabindra Bharati University

Tags: Accompaniment, Concert Management