Category Archives: Kolkata

Three Stalwarts in one night: Bah! Ustd. Amir Khan!

Told by Swaraj Bhattacharya
Obtained by Pintu Saha
Date 22 July 2016
Place Howrah residence of pt. Swaraj Bhattacharya
About Swaraj Bhattacharya Pt. Swaraj Bhattacharya, belongs to Lucknow Gharana, a disciple of Ustd. Afaq Hussain Khan, an eminent table player and thinker.
Tags Rabindra Sadan, Kanai Dutta, Nikhil Banerjee, Amir Khan, Ali Akbar Khan, 4 hours. Honesty, sincerety, tenacity
Language Bengali

Swaraj Bhattacjarya speaks:

 

No self-compromises during performances

Told by Swaraj Bhattacharya
Obtained by Pintu Saha
Date 22 July 2016
Place Howrah residence of pt. Swaraj Bhattacharya
About Swaraj Bhattacharya Pt. Swaraj Bhattacharya, belongs to Lucknow Gharana, a disciple of Ustd. Afaq Hussain Khan, an eminent table player and thinker.
Tags Ahmedjan Thirakawa, All India radio, Mahesh Mishra, tabla, sarengi, Keramatullah Khan, Shyamal Bose, Amir Khan, Lalit, Muhammad Ali Parj, Sarba Bharatiya Sangeet Sammelan, 1970’s
Language Bengali

Swaraj Bhattacjarya speaks:

Noble gesture of musicians

Told by Swaraj Bhattacharya
Obtained by Pintu Saha
Date 22 July 2016
Place Howrah residence of Pt. Swaraj Bhattacharya
About Swaraj Bhattacharya Pt. Swaraj Bhattacharya, belongs to Lucknow Gharana, a disciple of Ustd. Afaq Hussain Khan, an eminent table player and thinker.
Tags Afaq Hussain Khan, Mahajati Sadan, Keramatullah Khan, 1970’s
Language Bengali

Swaraj Bhattacharya speaks:

Sur Thik se Nahin Lagaa : Ustd. Bade Ghulam Ali Khan

Told by Swaraj Bhattacharya
Obtained by Pintu Saha
Date 22 July 2016
Place Howrah residence of pt. Swaraj Bhattacharya
About Swaraj Bhattacharya Pt. Swaraj Bhattacharya, belongs to Lucknow Gharana, a disciple of Ustd. Afaq Hussain Khan, an eminent table player and thinker.
Tags 1967-68, Academy of Fine Arts, Surela, Afaq Hussain Khan, Saatrang, Bade Ghulam Ali Khan, Green room, Natural C, Kolkata.
Language Bengali

Swaraj Bhattacharya speaks:

Listening to Ustd. Vilayet Khan in concert and to be at his home

 

Told by Jon Barlow
Obtained by Sanjoy Bandopadhyay
Date 14 December 2014
Place At Kolkata residence of Jon Barlow 91/1B Bondel Road, Kolkata 700019 [Ballygunge Phari]
About Jon Barlow A man in pursuit of Indian Classical Music for more than fifty years. Learnt sarod, vocal music, music collector, music craftsman, photographer, artist, music theorist.
Tags Vilayet Khan, Yaman, Hafiz Ali Khan Memorial Festival, Park Circus, 1978,
Language English

Jon Barlow speaks:

 

Kesarbai Kerkar and Fayyaz Khan in Challenging Mood

Told by Maharaj Banerjee
Obtained by Sanjoy Bandopadhyay and Dilip Mukherjee
Date 05 July, 2015
Place Sati Sadan, 41, Harish Mukherjee Road, Bhowanipur, Kolkata 700025
About Maharaj Banerjee Son and disciple of Pt. Montu Banerjee [Tabla, Sarod, Harmonium]. Disciple of Pt. Muneshwar Dayal [Harmonium], Ustd. Ahmedjan Thirakawa. [Tabla].
Tags All India Music Conference, Lala Babu, Mahajati Sadan, 1940-42, Kesarbai, Alladiya Khan, morning session, Bilaval, Kukubh, 1938
Language Bengali

Maharaj Banerjee speaks :

 

Verbatim:

– ???? ????? ?????????? ?? ?????? ?????? ??????????

– ??? ??????

– ??????? ????? ????, ?? ???????? ??? ?????? ??????? ?????

– ???????? ??? ?????

??? ???????? ?? ????, ??, ?? ?? ?????? ?????? ??????? ?????? ?????? ??? ??????? ????? ????? ??? ????????? ???? ??? ??????? ??????, ??????? ??????? ??????? ????? ???????? ?? ?????? ??????? ?????? ?? ??? ????????? ????  ??? ?? ?????? ???, ????? ?????? ???? ????? ??????? ??????? ??? ????? ????? ????? ??? ??????, -‘??? ?????, ??? ??? ?????? ??? ?????? ?????? ??? ?? ??? ?? ???? ????, ???? ?????? ?????? ??? ??? ????? ?? ?????’? ???? ????????? ???? ??????

????? ??????

              Ustad faiyaz Khan

?????, ????? ??? ??? ?????? ????? ?????? ????? ??? ?? ?????? ?????? ???????? ?????? ?? ?????? ?????? ?????? ???? ?????? ?? ?????? ???? ??? ??? ?? ????? ??? ?? ?????, ?? ???? ??, ?? ???????, ???????? ?? ???? ???????, ???? ?????, ??????? ??? ??????? ???? ??????, ??????, ???? ?? ????? ????? ??????? ?? ?? ?? ?? ????????? ???? ????? ??… ?????????? ????? ???????-???

?????????? ????? ??? ????????? ???? ??????? ????? ?? ?????? ??????? ?????- ‘???? ?????? ??? ???? ???? ?????? ?????’?

??????? ????? ????, ???????? ?? ??? ??? ?????? ??? ?????? ?????????? ?? ?????, ?? ???, ?? ?????? ?? ?????? ?? ?? ???

???

 Verbatim by: Dr. Suranjita Paul

Translation:

It was a morning programme. All Bengal Music Conference.

Where was this?

This was the one hosted by Lal babu. All India. This one was held at Mahajati Sadan.

When was this approximately?

               Kesarbai Kerkar

This was around 1940/41-42. Kesar Bai was singing in the morning. She was a very sombre kind of a woman. She was the only disciple of Alladiya Khan. In the morning, she was singing varieties of Raga Bilawal. Bilawal is a very difficult raga. There are many variations – kukuv bilawal and so on and so forth. Keshar Bai was singing. In the heat of the moment she said, “Bade Miyan, this is very difficult. To acquire the Bilawal and to be able to sing it is very difficult. This is Bade Miya’s training.” Bade Miya means Alladiya Khan.

That to Faiyaz Khan!

Yes, Faiyaz Khan. She said it in front of everyone. Faiyaz Khan was very upset. She was singing and speaking. No one sings the Vilaval usually. Not Ghulam Ali Khan sahib, not Amir Khan – no one. And among those of us who play instruments, Vilayet Khan used to play Imni Vilaval. Alaiya, Imni – three or four Vilavals. And they were not trained under Alladiya Khan. Keshar Bai was a league apart.

Faiyaz Khan was to perform that night. He sang the Darbari. He said, “Begum sahiba, this Dhaibat is very difficult.” Dhaibat and Gandhar. This was the nature of competitions during that time. That volume, that voice, that ‘kharaj’. There’ll never be another Faiyaz Khan again.

 Translated by: Sarbajaya Bhattacharya

 Picture Courtesy: Google

http://www.mohannadkarni.org/memorable-moments-with-kesarbai-kerkar/

http://www.surgyan.com/faiyazkhan.htm

Edited & Designed: Dr. Suranjita Paul

Data processed at SAP-DRS Lab, Department of Instrumental Music, Rabindra Bharati University

 

Impact of Badal Khan and Fayyaz Khan on Vishmadev Chatterjee

Told by Maharaj Banerjee
Obtained by Sanjoy Bandopadhyay and Dilip Mukherjee
Date 05 July, 2015
Place Sati Sadan, 41, Harish Mukherjee Road, Bhowanipur, Kolkata 700025
About Maharaj Banerjee Son and disciple of Pt. Montu Banerjee [Tabla, Sarod, Harmonium]. Disciple of Pt. Muneshwar Dayal [Harmonium], Ustd. Ahmedjan Thirakawa. [Tabla].
Tags Vishmadev Chatterjee, Bhishmadev, Vishmadev, Badal Khan, Fayyaz Khan, Rampur, Baubazar, Mantu Banerjee, Kalu, Bade Mian,
Language Bengali

Maharaj Banerjee speaks :

Remembering Ustd Ali Akbar Khan practicing

Told by Maharaj Banerjee
Obtained by Sanjoy Bandopadhyay and Dilip Mukherjee
Date 05 July, 2015
Place Sati Sadan, 41, Harish Mukherjee Road, Bhowanipur, Kolkata 700025
About Maharaj Banerjee Son and disciple of Pt. Montu Banerjee [Tabla, Sarod, Harmonium]. Disciple of Pt. Muneshwar Dayal [Harmonium], Ustd. Ahmedjan Thirakawa. [Tabla].
Tags Yaman, Ali Akbar Khan, Rash Behari Avenue, Riyaz, palta, 1969-70.
Language Bengali

Maharaj Banerjee speaks :

 

Remembering Ustd. Vilayet Khan’s doing riyaz

Told by Maharaj Banerjee
Obtained by Sanjoy Bandopadhyay and Dilip Mukherjee
Date 05 July, 2015
Place Sati Sadan, 41, Harish Mukherjee Road, Bhowanipur, Kolkata 700025
About Maharaj Banerjee Son and disciple of Pt. Montu Banerjee [Tabla, Sarod, Harmonium]. Disciple of Pt. Muneshwar Dayal [Harmonium], Ustd. Ahmedjan Thirakawa. [Tabla].
Tags Vilayet Khan, 10.30 p.m. 1944-46, Sati Sadan, Riyaz
Language Bengali

Maharaj Banerjee speaks :

Verbatim:

??????? ??? ??????? ???????? ??????? ???? ??? ???? ??? ?? ???? ??? ??????????? ?????? ??? ???? ??? ?????, ??? ??????? ??? ????? ???? ?????? ???? ?????, ????? ???? ????? ???? ????

????? ??? ????? ?

?? ???? ???? –??????? ?????? ?????? ??? ???? ??? ????? ????? ???? ?????? ???? ?????? ?????, ??? ???? ???? ???? ??????

????? ?? ???? ????

??, ????? ?? ??, ??, ?? ?? ??? ???? ??????? ?? ??? ???…????? ????? ????????? ???? ??? ???? ??? ???? ??? ????? ?????? ?????? ??? ????? ????? – ‘???? ??? ??????’? ?? ????, ?????

???? ???? ???????? ?????

                          Ustad Vilayat Khan

??????????? ???? ???? ???? ????? ????????? ??????? ??? ????? ????? ??????? ??? ???? ??? ???????? ?????, ??????, ??????…????  ??? ???? ????? ????, ‘??? ??????? ????? ?????? ?????’? ???? ???????? ???? ?? ??? ?????? ???? ????? ???? ? ???? ??????? ??? ???-‘???? ?????? ????? ??? ???? ???’? ??? ???? ?????? ?? ???? ???????? ??? ??? ????? ???? ???? ???? ???? ??????? ??? ???? ????? ??? ?? ??????? ?? ??????? ?? ??? ?????, ??? ???? ???? ??? ????? ???? ?? ????? ????? (????? ?????????)? ?? ??????? ??????? ??? ????? ????????? ???? ??? ??????? ????? ?? ?????, ?? ??? ????? ??? ?????? ???????? ???? ???? (????? ?????????) ?? ?????? ???? ???? ???? ?? ????? ?????? ???????

Verbatim by: Dr. Suranjita Paul

 Translation:

I remember everything about Vilayet Khan sahib’s riyaz. When, at night, father and I would complete our riyaz and go upstairs, he would start. All the doors and windows would be closed.

What time?

We would finish by 10:30-11:00. I would accompany father. Father would do the riyaz. After finishing, we would go upstairs.

This was in 1935?

No, this was ’44, ’45, ’46 – these three years. The gentleman was so nice…he didn’t cause any disturbance to anybody in the household. Father would go up first when we finished. He used to say, “Now I shall play.” He was so gentle and polite.

It would begin from 10:30pm?

 

Yes, at night. We would go upstairs by eleven. Vilayet Khan would sit down to play. We were a joint family then. My aunts…everyone called him by name. They used to say, “Look, Vilayet has started to play. Then, early in the morning, father and I would come downstairs to practice. Vilayet Khan would say, “Now you play, I’ll go lie down for a while.” What did he sleep on? He wasn’t fancy at all. He rested his head on the bire of the tabla. He would practice all night. What did he practice? The same palta. The same jhala. It was like he was polishing the music. (Demonstrates). When father went to the washroom at night or to the courtyard, he would see Vilayet Khan sitting in the same spot and playing. Sometimes (demonstrates) it would go up by one point. This was their riyaz.

 Translated by: Sarbajaya Bhattacharya

 

Picture courtesy: Google

https://alchetron.com/Vilayat-Khan

 Edited & Designed: Dr.Suranjita Paul

Data processed at SAP-DRS Lab, Department of Instrumental Music, RabindraBharati University

 

 

 

 

 

 

 

 

On Mandababu, a Tabla Player

Told by Maharaj Banerjee
Obtained by Sanjoy Bandopadhyay and Dilip Mukherjee
Date 05 July, 2015
Place Sati Sadan, 41, Harish Mukherjee Road, Bhowanipur, Kolkata 700025
About Maharaj Banerjee Son and disciple of Pt. Montu Banerjee [Tabla, Sarod, Harmonium]. Disciple of Pt. Muneshwar Dayal [Harmonium], Ustd. Ahmedjan Thirakawa. [Tabla].
Tags Manda Babu (Dakshina Ranjan Chattopadhyay), Hiru Ganguli, amateur
Language Bengali

Maharaj Banerjee speaks :