| Told by | Pandit Sankha Chattopadhyay (Chatterjee) |
| Obtained by | Professor Sanjoy Bandyapadhyay |
| Date | 16th March 2017 |
| Place | Garia, Kolkata |
| About the speaker | Pandit Sankha Chattopadhyay is a reputed Tabla player from Kolkata. His style blends three leading Tabla Gharanas of India, Farukhabad, Delhi and Punjab. |
| Tags | Keramatulla Khan, Tabla, Tansen conference, Vilayat Khan, Kanthe Maharaj, Ahmad Jaan Thirakwa, Gat, Theka, Chanda, Sitar, Green Room, 1954 -55, Taan, Dabir Khan, Indira Hall, Basusree Hall |
| Language | Bengali |
Sankha Chattopadhyay speaks:
Verbatim:
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Metadata & Verbatim by: Dr. Suranjita Paul
Translation:
This is a very old story from a long time ago. I was then a student of Khan Sahib, and perform very little. I was still not out professionally in the market, but everyone important knows that I can play. Because I used to carry the bags of Keramat Khan sahib, followed him with my tabla set, sat beside him, tuned the table, and as a result, I was a known face.
At the Tansen Conference, when Vilayat Khan got ready to perform, Shailen Da told him, “Today, Kanthe Maharaj Ji and Thirakwa Sahib would play with you… a duet.” Vilayat Khan said, “They are both big names, elephants in their own right, why not give them a turn? Not together.”
Shailen Da replied: “No, we decided for a duet today.”
But they didn’t agree. They said, “We shall perform separately.” Kanthe Maharaj ji took the first turn. I was near the stage at the time. I went with Keramatulla Khan Sahib and was allowed at the first row, and I was watching the fun. Out of nowhere, Vilayat Khan took up a complicated tune. Maharaj was known for the uniqueness of his technique.
So, he was demonstrating the rhythm with a movement of his feet, and Vilayat Khan found it extremely offensive. Suddenly, someone from the audience made a taunting noise. And at that time the rivalry of Vilayat Khan and Ravi Shankar was akin to that of the much publicized rivalry of East Bengal and Mohan bagan football teams. Suddenly, Vilayat Khan dropped the sitar with a bang and walked out. “No, I won’t play. They’re all agents of Ravi Shankar. I won’t play.”
Karamat Khan Sahib stood up. “What are you doing, my brother?”
Vilayat Khan: “No, Keramat bhaijan, they’re taunting at me.”
Karamat Khan Sahib: “No one is taunting at you.”
Vilayat Khan understood, and then came back on stage after a few smokes. His performance was first class. And then it was Thirakwa Sahib’s turn.
-Allow me to interrupt, I have a question. Around what year did this happen? Was it in the forties?
-No, abruptly 1954 or 55.
-Where was this musical conference held?
This was, as I feel… The program was explosive. But there was that one interruption. Music is music, after all. Vilayat Khan, with his electrifying music, would often throw out challenges to the crowd while he played. “Is there anyone who can play like me?” That’s what he used to do whenever he performed.
Anyway, then Thirakwa Sahib took his turn. What music it was! Kanthe Maharaj had already performed, but Thirakwa Sahib was another matter entirely. It was pure passion. What else would you call it? Keramat Sahib went inside again. “What are you doing, my brother? They taunted him so much, but no one said a word to you.” He was always obsessed with taunts from the crowd, whether it was his own group that was responsible for the taunts.
Anyway, Khan Sahib coaxed and persuaded. It was Dabir Khan’s turn next. And after him, someone else took his arm and sat him down at the stage. Thirkua sahib performed. I was new to Kolkata then. I came to Kolkata at around fifty and that happened around in fifty five.
– That was around fifty five?
– Fifty four or fifty five I guess.
– So it took place either in Indira hall or Basusree Hall.
– Could be Indira or Bharati hall as well, I can’t remember clearly.
Translated by: Ankana Das
Picture Coursery: Google
Picture Coursery: Google
http://www.buddhadevdasgupta.com/Gharana.htm
https://www.telegraphindia.com/1050221/asp/calcutta/story_4399270.asp
http://vilayatkhan.com/vk/?page_id=113
Edited & Designed: Dr. Suranjita Paul
Data processed at SAP-DRS Lab, Department of Instrumental Music, Rabindra Bharati University