Category Archives: 1961-1974

Ethereal Experience – Listening to Ustd. Ali Akbar Khan

Told by Dr. Rajeeb Chakraborty
Obtained by Sukanya Sarkar
Date 11 July, 2014
Place Kolkata residence of Dr. Rajib Chakraborty, Swinhoe Stree, Kolkata 700019
About Dr. Rajeeb Chakraborty Dr. Rajeeb Chakraborty is a renowned sarod player, a music composer, and also involved in a large number of experimental projects internationally. He received several awards for his experimental work in music.
Tags Kala Mandir, Ali Akbar Khan, sarod, Shankar Ghosh, tabla, over-packed, Jog, ethereal experience, ecstasy
Language Bengali

Dr. Rajeeb Chakraborty speaks :

Three Stalwarts in one night: Bah! Ustd. Amir Khan!

Told by Swaraj Bhattacharya
Obtained by Pintu Saha
Date 22 July 2016
Place Howrah residence of pt. Swaraj Bhattacharya
About Swaraj Bhattacharya Pt. Swaraj Bhattacharya, belongs to Lucknow Gharana, a disciple of Ustd. Afaq Hussain Khan, an eminent table player and thinker.
Tags Rabindra Sadan, Kanai Dutta, Nikhil Banerjee, Amir Khan, Ali Akbar Khan, 4 hours. Honesty, sincerety, tenacity
Language Bengali

Swaraj Bhattacjarya speaks:

 

No self-compromises during performances

Told by Swaraj Bhattacharya
Obtained by Pintu Saha
Date 22 July 2016
Place Howrah residence of pt. Swaraj Bhattacharya
About Swaraj Bhattacharya Pt. Swaraj Bhattacharya, belongs to Lucknow Gharana, a disciple of Ustd. Afaq Hussain Khan, an eminent table player and thinker.
Tags Ahmedjan Thirakawa, All India radio, Mahesh Mishra, tabla, sarengi, Keramatullah Khan, Shyamal Bose, Amir Khan, Lalit, Muhammad Ali Parj, Sarba Bharatiya Sangeet Sammelan, 1970’s
Language Bengali

Swaraj Bhattacjarya speaks:

Noble gesture of musicians

Told by Swaraj Bhattacharya
Obtained by Pintu Saha
Date 22 July 2016
Place Howrah residence of Pt. Swaraj Bhattacharya
About Swaraj Bhattacharya Pt. Swaraj Bhattacharya, belongs to Lucknow Gharana, a disciple of Ustd. Afaq Hussain Khan, an eminent table player and thinker.
Tags Afaq Hussain Khan, Mahajati Sadan, Keramatullah Khan, 1970’s
Language Bengali

Swaraj Bhattacharya speaks:

Sur Thik se Nahin Lagaa : Ustd. Bade Ghulam Ali Khan

Told by Swaraj Bhattacharya
Obtained by Pintu Saha
Date 22 July 2016
Place Howrah residence of pt. Swaraj Bhattacharya
About Swaraj Bhattacharya Pt. Swaraj Bhattacharya, belongs to Lucknow Gharana, a disciple of Ustd. Afaq Hussain Khan, an eminent table player and thinker.
Tags 1967-68, Academy of Fine Arts, Surela, Afaq Hussain Khan, Saatrang, Bade Ghulam Ali Khan, Green room, Natural C, Kolkata.
Language Bengali

Swaraj Bhattacharya speaks:

Remembering Ustd Ali Akbar Khan practicing

Told by Maharaj Banerjee
Obtained by Sanjoy Bandopadhyay and Dilip Mukherjee
Date 05 July, 2015
Place Sati Sadan, 41, Harish Mukherjee Road, Bhowanipur, Kolkata 700025
About Maharaj Banerjee Son and disciple of Pt. Montu Banerjee [Tabla, Sarod, Harmonium]. Disciple of Pt. Muneshwar Dayal [Harmonium], Ustd. Ahmedjan Thirakawa. [Tabla].
Tags Yaman, Ali Akbar Khan, Rash Behari Avenue, Riyaz, palta, 1969-70.
Language Bengali

Maharaj Banerjee speaks :

 

Space scarcity and venue change – Pt. Ravi Shankar

Told by Maharaj Banerjee
Obtained by Sanjoy Bandopadhyay and Dilip Mukherjee
Date 05 July, 2015
Place Sati Sadan, 41, Harish Mukherjee Road, Bhowanipur, Kolkata 700025
About Maharaj Banerjee Son and disciple of Pt. Montu Banerjee [Tabla, Sarod, Harmonium]. Disciple of Pt. Muneshwar Dayal [Harmonium], Ustd. Ahmedjan Thirakawa. [Tabla].
Tags Jnan Prakash Ghosh, 1964-65, Ravi Shankar, Sati Sadan, space scarcity, venue
Language Bengali

Maharaj Banerjee speaks :

Remembering Darbari kanada by Nazakat Ali & Salamat Ali

Told by Maharaj Banerjee
Obtained by Sanjoy Bandopadhyay and Dilip Mukherjee
Date 05 July, 2015
Place Sati Sadan, 41, Harish Mukherjee Road, Bhowanipur, Kolkata 700025
About Maharaj Banerjee Son and disciple of Pt. Montu Banerjee [Tabla, Sarod, Harmonium]. Disciple of Pt. Muneshwar Dayal [Harmonium], Ustd. Ahmedjan Thirakawa. [Tabla].
Tags Mamatha Ghosh, Pathuria Ghata, 1960-62, Darbari, drut ektal, Samta Prasad
Language Bengali

Maharaj Banerjee speaks :

Verbatim:

???? ?????????? ???, ????? ????, ?? ???? ????? ?????? ??????? ????, ???? ???? ??? ???????, ????????? ??????

Usatad Salamat and Nazakat Ali Khan

????? ?????? ?? ???? ????? ??? ??? ??????? ???? ?????????, ???? ???????? ?????? ???? ??, ???? ??? ??? ???? ???? ?????????? – ??? ????? ??? ??? ??????? ?????

– ?????, ??? ????? ??? ??? ??????? ?????????-?? ???? ????? ??? ??? ????? ????, ???? ???? ?????? ???? – “?????, ???? ?? ???? ???? ??, ???? ???? ?? ???, ???? ???? ?? ???? ???, ?? ???????? ???? ??????? ????? ???? ???? ????? ???????“ ?? ??? ?????? ?? ????? ??????? ???? ??? ??????, ???? ???? ?? ???? ????? ??? ??? ??????? ????, ???? ??? ?????, ???? ??? ????? ?? ????, ??????  ????? ??????? ???? ????? ???,???????? ??? ???? ??????, ?? ????? ??? ???? ??? ?????? ????? ????????? ??? ??? ???, ???????? ?????

?? ????? ???? ??????? ????? ??? ??, ?? ??????????  ???? ???????? ??????? ????? ??????

  • ???, ?????? ????
  • ??????? ???? ????? ????? ??????? ?????? ?????? ???? ???, ???? ??????? ???, ??? ?????? ???? ???? ???? ????, ????? ?????? ???????
  • ?????? ????
  • ??? ????? ???, ??? ?? ????? ??? ???, ??? ??? ???, ?? ????? ??? ??? ????? ????, ????????? ????? ????, ????? ??? ?????, ???? ????? ?????? ??? ????? ????? ??? ?????? ?? ????? ??????! ????? ?????? ???????? ?????, ???????, ??????????

Verbatim: Rajeswary Ganguly Banerjee

Translation:

  • It was a remarkable performance. In 1952-53, Nazakat and Salamat came to Kolkata. Onkarnath Thakur brought him. When Nazakat and Salamat were young, they had trained under Ghulam Ali Khan sahib. They learnt from when he was around ten years old till the age of thirteen.
  • Under Bade Ghulam Ali?
  • Ghulam Ali Khan sahib came in 1952-53. Lala babu said to my father, Montu Banerjee, you don’t know these people
  • how old were they at the time? Twenty-one or twenty-two

come with Maharaj in the evening. Come and hear Nazakat Salamat.” I thought, who is Nazakat Salamat? Although I was young, I knew many names – Ghulam Ali Khan sahib, Faiyaz Khan saib, Amir Khan sahib, but Nazakat Salamat? Father said, “Since Lala babu himself has invited us, we must go.” They made me sit on the stage because I was small.

Pt Gopal Mishra and Pt. Anokhelal Mishra

The two brothers arrived with the surmandal. On the tabla was Anokhe Lal ji, and the famous Gopal Mishra of Benares was playing the sarengi.

  • Oh, wow!
  • They began the malkosh at eight in the evening. It was a familiar raaga, there was no trouble. Suddenly we realised it was past ten thirty, and they were still singing.
  • Oh my god! I was sitting in the front, and who wasn’t there? Ghulam Ali Khan sahib was there, Onkarnath Thakur was there. Everyone! And they were all spell-bound! Then I thought to myself, so this is Nazakat Salamat. Since then, I have met them many times, they has sung and played.

 

 

Translated by: Sarbajaya Bhattacharya

Picture Courtesy: Google

https://www.google.co.in/search?q=nazakat+salamat+ali&client=firefox-b-ab&tbm=isch&tbs=rimg:CffuIU_1J0PCeIjgjkOqACbh–jmJ0AQkJN5sXk7pbZXlyrgbSnfVK22hZMIAzrQj0jaomapliq8scJEqwSGNEI7CkCoSCSOQ6oAJuH76ERX0UyNAKsdTKhIJOYnQBCQk3mwRYN-Dx2HxsYAqEgleTultleXKuBF2DSdCDjYWHSoSCRtKd9UrbaFkEQwcHa2wjZbkKhIJwgDOtCPSNqgRQZs_1C_1bZGQQqEgmZqmWKryxwkRGHagk5UW8bHyoSCSrBIY0QjsKQEcTgdxDNrU8y&tbo=u&sa=X&ved=2ahUKEwiG85PR8MDaAhXCpo8KHSo4B_QQ9C96BAgAEBs&biw=1366&bih=631&dpr=1#imgrc=9-4hT8nQ8J7u7M:

https://www.google.co.in/search?q=gopal+mishra+sarangi&client=firefox-b-ab&tbm=isch&tbs=rimg:Cd375xB7RNR3IjhSkv6KwhKu-qvGE2LRbKk36LuxN_1NFDybyLB-Vo0k9WOJ1CkHskf8tbAR_1C8Ulj6qbUZjBt8tQ8yoSCVKS_1orCEq76EQLhuUkO8qIUKhIJq8YTYtFsqTcRNZlWwdQYxIMqEgnou7E380UPJhHnuxtVrdE2sSoSCfIsH5WjST1YEQs8wQmjkWM2KhIJ4nUKQeyR_1y0RBjSz4_1FrLJoqEglsBH8LxSWPqhGVHvPEu2yWeCoSCZtRmMG3y1DzEZ0SCTPbrGst&tbo=u&sa=X&ved=2ahUKEwivseb48cDaAhWKvI8KHYEHBK8Q9C96BAgAEBs&biw=1366&bih=631&dpr=1#imgrc=3fvnEHtE1HeU2M:

Edited & Designed: Ms. Rajeswary Ganguly Banerjee

Data processed at SAP-DRS Lab, Department of Instrumental Music, Rabindra Bharati University

 

 

 

 

Teaching Style of Pt. Radhika Mohan Maitra

Told by Pt. Sanjoy Bandopadhyay
Obtained by Suranjita Paul
Date 01 July, 2016
Place Sangeet Bhavan, Emerald Bower Campus, Rabindra Bharati University
About the speaker Pt. Sanjoy Bandopadhyay is a highly renowned sitar player and academician.
Tags Teaching, Bimalendu Mukherjee, Inayet Khan, Radhika Mohan Maitra , sthayee, manjha, antara, tan, alap, jod, jhala, riyaz, gamak jod, composing, informative, cultivation, M.R. Gautam, 1981, Khairagarh University, Thakur Jaidev Singh
Language Bengali

Note: During this period Pt. Radhika Mohan Maitra used to live at Jadavpur, in the southern part of Kolkata.

Sanjoy Bandopadhyay speaks :

 

Importance of Punctuality: Pt. Radhika Mohan Maitra

Told by Pt. Sanjoy Bandopadhyay
Obtained by Suranjita Paul
Date 01 July, 2016
Place Sangeet Bhavan, Emerald Bower Campus, Rabindra Bharati University
About the speaker Pt. Sanjoy Bandopadhyay is a highly renowned sitar player and academician.
Tags sitar, punctuality, early 1960, 1970’s, 1962, 1981,
Language Bengali

Note: During 1960-1981 Pandit Radhika Mohan Maitra used to live at 1/7 Kalibari lane, Jadavpur, Kolkata 700032.

Sanjoy Bandopadhyay speaks :